A separate question would be the same thing, but about the dynamic range, the range of brightness from darkest to brightest and number of levels of brightness differentiable in-between. The main question I'm curious here is about color detection/reproduction, the correct ratio between the subpixels, for each frequency of the EM spectrum compared to what would be perceived in person under the exact same lighting conditions; so if you won't be covering both equally (or at all) despite being capable of, then please prioritize the color question.
from "A Guided Tour of Color Space" by Charles Poynton
Hey everyone! I'm new to reddit and it's my first post, but I feel it's the right place to share my work of two recent years. In short β as a designer willing to teach himself music harmony, I've developed a system of juxtaposed colors and pitch classes. After a huge research I've come up to a really simple, but universal principle, that really makes sense.
Just as we divide the octave into 12 equally spaced notes from A to G#, we can divide the color wheel into 12 equally spaced colors from red to crimson. So we got a clean visual music language. That's what I've called Chromatone and continue using and developing for more than two years.
At first it was just my personal way of learning tonal music as a designer and a drummer. But then I realized that the main advantage of Chromatone is not in learning, but in communicating! I know, that it's not the first time notes and scales are juxtaposed to colors. Isaac Newton tried to tie 7 colors and 7 notes together, Skryabin composed scripts for colored lights and Rimskiy-Korsakov developed a theory of "colored hearing", but all those approaches were somewhat subjective. And here we have a kind of objective system.
It's really simple: we have our universal 12-TET based on pure math and also we get the colors derived from standardized HSL (HSB) color system just by rotating the hue by 30 degrees for each semitone. So we can obtain a new sign system, that we can share all together. So if A is red for me and you, we can really start playing in red. It's like a self induced synesthesia. And how powerful it may be to communicate music to children, for example. Or we can create some stunning visualizations of different songs, that are not only beautiful, but very informative to anyone around the globe. We can just add colors to the black and white keys and sheet music! I know that many of visually thinking people may find their way into music with such a useful tool.
I publish all the materials that I created at the website https://chromatone.center and for now there is much to explore. There are some original schemes and illustrations for the science of sound and color. I also created a bunch of JS web-apps to explore the music possibilities of the browser and the potential of Chromatone to communicate music information. And also there are paper cheat-sheets and colorful vinyl stickers available to mark keys of almost any instrument. I'm using all of it my
... keep reading on reddit β‘Timestamp:https://imgur.com/a/CxrEMhW
Hello everyone!
I am looking to trade my lat and Keypora (PayPal can be added to a trade and or if you that I buy them off of you for strictly PayPal, I'm not opposed to it!)
In terms of the Keypora, I am eyeing the following:
-SUPERCOLOR Affair Keypora
-SUPERCOLOR Heliotrope Keypora
In terms of the Lat, I am looking to simply color swap. Ideally I am looking for the following lats but I am open to offers that would look nice with gmk first love. LAT IS GONE BUT I STILL WANNA PURCHASE ONE OF THESE LATS
-Subterfuge
-Pinnacle
-Ganymede
-Imperial Subterfuge
-Imperial Destruction
-Imperial Devastation
As always, comment before PM please and I would appreciate any leads!
Any Recommendations for a Spectral Meter to test CRI and Color Temperatures?
Of course this can be possible if there's a new feature that allows players to dye spectral arrows. The recipe should be like the color stained glass recipe.
Anybody got a spare or I just gotta wait a year to evolve a REM pull?
