Incase people don’t know, he’s recently started in Instagram. Think his handle is John__squire
Let me explain… John Squire was the guitarist for Stone Roses, he went mountain biking at Mount Tamalpais, where he fell and broke his collar bone and shoulder. Stone Roses were due to Headline Glastonbury Festival later that month but had to pull out. Pulp stood in for them at the last minute, and produced a seminal set of absolute bangers that has yet to be bettered.
https://imgur.com/a/x2DSMTS
Needed a slight adjustment for action and pup height but other than that this thing plays really well for what it is. Super happy with it.
-excuse the mess, recently bought and moved into a new house-
I'm just so impressed at the complexity that Chris Squire displays in his playing. I'm trying to learn his style and I had just a few questions that would help me to form a clearer picture.
- How does he settle on his rhythm, is there a process that he seems to go through? Does he deliberately think about how to construct a rhythm that sits well with the rest of the band? Or does he just play by feel, and leave pockets for the other instruments to fill?
- How does he decide when to stop playing the "required bassline" and to go off and do his own thing? Or does he just jam over everything, without worrying about trying to lay a complimentary foundation for the other instruments?
- How does he choose his notes? Does he play chord tones, scales, etc. How does he choose chord progressions?
- Does he adhere strictly to ideas? For a given song, does he always play it the same way live as he does on the studio version, or does he vary songs every time?
One of the ways I learn is by comparing new things to what I already know. In my opinion, John Paul Jones plays bass with a similar style: his basslines are very melodic, dynamic, and intricate as well. Of course John Paul Jones doesn't have Squire's distinctive bass tone, and John Paul Jones sticks more to blues scales, but I notice that both players aren't the type to just play the root note over and over again in eighth notes, and I want to learn more about what makes them think the way they do when it comes to varying the rhythm and the note selections.
Thank you for your all of your help!
Does anyone one has past 455 exams and quiz from John squire?
..with a clean amp and pedal board?
What pedals would you use? Effects settings? etc.
Specifically this song:
So what did the strategic partnership with Cohen net them? They paid him $500K to bring in clients. Who did he bring in? A Firm linked to Kushner: WSJ article (archive version)
>Under a 2017 contract with Squire Patton Boggs, Mr. Cohen was paid $500,000 a year to help it drum up business, prosecutors said in a recent filing in federal court in New York, where Mr. Cohen is under investigation for potential bank fraud and campaign-finance violations. He also received a cut of any fees it collected from clients he referred.
>Among five clients Mr. Cohen delivered to Squire Patton Boggs—before the firm terminated the contract with him in early March—was U.S. Immigration Fund LLC, according to court filings and Nicholas Mastroianni II, U.S. Immigration Fund’s chief executive. The Florida company connects businesses with foreign investors through a U.S. visa program.
...
>U.S. Immigration Fund last year organized a trip to China for several Kushner Cos. officials, including Mr. Kushner’s sister Nicole Meyer, to seek investors for commercial-and-residential towers in Jersey City, N.J., the Journal has reported. Ms. Meyer pitched potential investors on participating in a program known as EB-5, which provides permanent U.S. residency to immigrants who invest at least $500,000 in certain job-creating businesses.
>Kushner Cos. relied on U.S. Immigration Fund, which has pooled foreign funds for some of the largest developments in the EB-5 program, and a Chinese company to arrange the investor presentation. The project had been listed on U.S. Immigration Fund’s website, but the com
... keep reading on reddit ➡
We shan't see Willy any more, Mamie,
He won't be coming any more:
He came back once and again and again,
But he won't get leave any more.
We looked from the window and there was his cab,
And we ran downstairs like a streak,
And he said, 'Hullo, you bad dog,' and you crouched to the floor,
Paralysed to hear him speak.
And then let fly at his face and his chest
Till I had to hold you down,
While he took off his cap and his gloves and his coat,
And his bag and his thonged Sam Browne.
We went upstairs to the studio,
The three of us, just as of old,
And you lay down and I sat and talked to him
As round the room he strolled.
Here in the room where, years ago
Before the old life stopped,
He worked all day with his slippers and his pipe,
He would pick up the threads he'd dropped,
Fondling all the drawings he had left behind,
Glad to find them all still the same,
And opening the cupboards to look at his belongings
. . . Every time he came.
But now I know what a dog doesn't know,
Though you'll thrust your head on my knee,
And try to draw me from the absent-mindedness
That you find so dull in me.
And all your life you will never know
What I wouldn't tell you even if I could,
That the last time we waved him away
Willy went for good.
But sometimes as you lie on the hearthrug
Sleeping in the warmth of the stove,
Even through your muddled old canine brain
Shapes from the past may rove.
You'll scarcely remember, even in a dream,
How we brought home a silly little pup,
With a big square head and little crooked legs
That could scarcely bear him up,
But your tail will tap at the memory
Of a man whose friend you were,
Who was always kind though he called you a naughty dog
When he found you in his chair;
Who'd make you face a reproving finger
And solemnly lecture you
Till your head hung downwards and you looked very sheepish:
And you'll dream of your triumphs too,
Of summer evening chases in the garden
When you dodged us all about with a bone:
We were three boys, and you were the cleverest,
But now we're two alone.
When summer comes again,
And the long sunsets fade,
We shall have to go on playing the feeble game for two
That since the war we've played.
And though you run expectant as you always do
To the uniforms we meet,
You'll never find Willy among all the soldiers
In even the longest street,
Nor in any crowd; yet, strange and bitter thought,
Even now were the old words said,
If I tr
... keep reading on reddit ➡Any help would be appreciated! Like how does he achieve the beginning sound on ‘I wanna be adored’ ?
