Punstoppable
A list of puns related to "Hypermasculinity"
feels like scribbly brain! feels like loud hot static between your ears! feels like misdirected pent up irritation, insecurity, and rage! i hate overly-masculine energy! i hate it! i literally cannot even stand my favorite foods that are spicy anymore because they have a similair energy. i fucking cannot stand that hyper masculine macho boomer fucking bullshit!! fuck!!! i jus wanna be a slinky cat, u feel? no gender, only slinky cat, no arguing, only slinky cat, no restricted freedoms-only slinky cat
I just finished watching Discovery Season One and I just realized that Michael Burnham follows pretty closely to the male action hero stereotype. The guy that's emotionally closed off, takes unnecessary risks, who ignores the rules, and uses aggression and violence to solve problems.
The stereotypical male action hero is usually the guy who's not in touch with his feelings, either stoic or a smart ass but not sensitive. Enter Michael, who's a human raised to be a cold, and logical Vulcan, essentially stoic, which is a hallmark of the idealized male hero.
There's also Michael the alpha male, who takes unnecessary risks, a Top Gun Maverick-type who will risk death just for a "flyby." Michael's contrast and foil is the beta male Saru, who's by-the-book, an insecure nerd, literally afraid of everything. Despite Saru's wise and cautious recommendations to avoid death and a possible potential confrontation with the Klingons, he's portrayed as the sissy who lacks courage, who's wrong most of the time, which is why he's not Captain material, but Michael is.
In order to "save everyone" Michael suggests a pre-emptive strike against a decloaked Klingon ship. The audience is told that Michael is actually right to attack the Klingons first because that's how the wise and logical Vulcan's "earned the respect" of Klingons: by attacking first, which became known as a "Vulcan Hello."
When the Captain says no to that crazy idea, Michael incapacitates his female captain in order take control of her ship and fire first, to save the Captain. Being the alpha, Michael knows better. Unfortunately, the female Captain regains consciousness and prevents the Shenzhou from firing first. By the Shenzhou and Starfleet remaining peaceful, the Klingons use it as an opportunity to attack first, which starts a battle between Starfleet and the Klingon Empire.
When Michael wants to communicate with Sarek on the astral plane, he refuses by punching Michael out of the astral plane. Michael comes back and fights him in a martial arts battle, in a successful attempt to make him talk. Star Trek has become an 80s action movie where the two good guys have to have a physical fight before they can talk to each other.
It's not just Michael Burnham either. Seven of Nine has pretty much become Dirty Harry or the Punisher. The hard drinking loner with a troubled past, who works outside the law to protect the innocent by punishing the guilty. Never mind that an alcoholic who suffers from PT
... keep reading on reddit ➡I want to show a friend a video I remember about Mormon art that was on YouTube, but I can't find.
It wasn't too long, maybe 10-15 minutes. The style felt like documentaries from the 70s where academics talk while it showed footage from the city and inside buildings. However, I think it was crafted in the 2000s maybe. It was a bit heady, not humorous.
The content was an exploration of the hypermasculinity of the artwork, with some of it focused on favor for pillars and phallic shapes, and other parts showing how murals were filled with men with rippling muscles. In contrast, it discussed how women and femininity were mostly absent from the artwork and shapes.
Any leads? It was fascinating and very well done.
I’ve been hearing a lot of people say “real men don’t hit women” or “real men don’t rape”. Feminists on twitter have condemned these phrases saying that real men do attack women and that they’re just as much of a man as a man who doesn’t attack women.
I don’t know exactly what these people mean by “real men”. Are they saying manly men don’t attack women? Are they saying only “feminine” men attack women? Because if that’s what they’re saying, they’re wrong. I think hypermasculinity, masculine stereotypes and tough guy culture DOES cause violence against women and I think some muscular “macho” man is more likely to beat up women than some “feminine” man who doesn’t care about being manly.
I’ve read research that men who conform to masculine stereotypes are more likely to be domestic abusers and that in hypermasculine environments like the military, sports, etc, domestic violence and sexual assault is more common. So I think men who are big or strong or “tough” are more likely to attack women.
I’ve done research on how masculine culture encourages this stuff and I think this explains why the word toxic masculinity exists. I don’t think tough guy culture deters violence against women. I think it encourages it.
This isn’t saying of course that you have to be violent to be macho or tough, but I still think the whole “be a man” thing in men causes violence against women, including rape and domestic violence.
Before watching Drag Race I considered transgender people and drag queens alike ‘undesirable.’ I told myself, “I would never date a drag queen!” It even bothered me when gay friends would affectionately call me ‘girl.’ Through the years and seasons, however, Drag Race has opened up my mind about gender, sex, and everything in between. As a gay man, I find it refreshing not to have to conform to the masculine and feminine societal spectrum. Being flamboyant is fun, even if that’s not your jush. Today, I find myself wholly embracing transgender people, dating drag queens, and just being totally gay. Has anyone experienced this? It’s crazy how marginalized groups have small pockets of members who cannibalize their own. I apologize for doing the same in the past. EVERYBODY SAY LOVE!
Upon an initial viewing, Fight Club appears to hold extreme views against the present day’s overly consumerist culture and its resulting emasculation of men. The film seems to present hypermasculinity as the only solution to escaping the chains of modern consumerism, however, as the film develops it becomes clear that the true message of the film does not promote hypermasculinity and instead warns against it. The Narrator undergoes an internal struggle as he fights against both his animalistic side, represented by Tyler Durden, and his emasculated side, represented by his unnamed self. Through the relationship between Marla, the Narrator and Tyler Durden, which begins as a purely physical relationship and evolves into love, the film offers balance as the only solution to both hypermasculinity and modern emasculation.
The film introduces the unnamed protagonist as being a slave to modern consumerist culture who is stripped of any sense of masculinity. Since the Narrator does not experience emotional stimulation from his everyday life as all his time is spent at an unfulfilling job and shopping at IKEA, to satisfy his human need for stimulation, the Narrator attends support groups seeking to forge a genuine connection with another human that is ironically formed through a feigned disability. As time passes, the Narrator seeks a connection that is deeper than what is offered in the support groups and expresses interest in Marla as evidenced by their exchange in phone numbers. However, his romantic pursuit of Marla is held back by his hypermasculine alter-ego, Tyler Durden. In various moments throughout the film, the Narrator rejects the idea that he is developing feelings for Marla because he allows his animalistic self to overpower his emasculated self. One significant instance of his suppression of his feelings for Marla can be observed when Tyler Durden is chemically burning the Narrator’s hand. In the early act of the film, a cancer support group facilitator recommends that the group meditate and find their power animal to bring them through a difficult time in their life. In the Narrator’s initial vision, he sees a penguin sliding and later in the film, when he undergoes intense chemical pain, that penguin is replaced with Marla, his new power animal, which demonstrates that the Narrator does have feelings for her but will not act on them because of Tyler’s hypermasculine belief that love is for emasculated men.
The relationship between Marla and
... keep reading on reddit ➡>As video games have attracted more critical attention and theoretical discourse
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>and games play a more visible part in our media landscape, the modern video
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>game community impacts the wider world of online culture and warrants
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>more detailed study. Using the case of the Dickwolves incident from Penny
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>Arcade.com, the authors address issues of hypermasculinity and sexism within
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>the gaming community and how this lens brings to light issues with a hostile
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>response to the expression of a female identity or femininity. The authors
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>argue that this case highlights how the hypermasculine discourse encourages
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>the overt privileging of masculinity over femininity and discourages women
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>from engaging in gendered discourse within the community.
Words really fail me.
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