Accord (company) Puns

John started working in a color pigment company which specialises in mixing and editing different color pigments according to their customers's demands. Once the color pigments were done, they would be mailed out to the customers with a detailed note commenting on the properties of the produced color pigments. John was placed in the 'Pink Pigment' department which was incidentally between the 'Red Pigment' and 'White Pigment' departments. He was really good at his job and was constantly praised for the great work he produced.

However after a month or so, John found that a number of his work was being duplicated and mailed to almost all of his customers. Worse of all, instead of a proper note commenting on the color pigment properties, these duplicated products were accompanied with rather bad puns and jokes. One repeating joke which irritated him the most was: 'What do you call a country with only pink cars? A pink car-nation.'

Upset, he went to his manager to complain about the problem. After listening to John, his manager said, "Oh boy, looks like I need to talk to the manager of the 'Red Pigment' department again. This is not the first time that it has happened. Those Red-editors in that department love to copy and repost other people's original work as their own."
John then asked, "How are you so sure that it was them who are responsible?"
His manager replied, "Well, you can be certain that it is them as they always love jokes or puns especially in the comment section."

When I worked for a design agency, I had two adamant higher-ups. There was a brand identity project for a new company, and I was in charge of typography, but those two disagreed with my choice of font.

The first one was this stony-looking Peruvian-American man named Esteban Ferrero, but since that's Spanish for Steven Smith, and our company had a rule that everyone has to call each other using nicknames instead of last names, everyone, including himself, just called him Steve. The second one was a Dutch woman with a sharp glare named Evelien van der Berg. She was famous for giving designers a hard time convincing her that their design choices work better than hers. In accordance with the company rules, we called her Eve.

Anyway, I showed Steve my first draft, and he wasn't convinced that I chose LinoLetter as the main font, and told me that I should use a sans-serif font. But I stood by my position that serifs add legibility to printed and digital material, that it fits the company's identity as an organic store, and that it is hard to stand out with a sans-serif. It took a lot of debate, but in the end, Steve was convinced that LinoLetter was acceptable.

A few days later, I showed Eve a more elaborated version, as for the sizes and styles of the font, and the pairing of LinoLetter with Century as the headline font. She insisted that I should have used a sans-serif font for the headline. I expressed my view that LinoLetter is a font with composed and legible shape, and Century, while it is also legible, has flair at larger sizes. She kept disagreeing with me, saying I should use something bolder and more contrasting, like Tungsten. It felt like hours had passed before the conversation went anywhere, so I had to give up and look for a sans-serif font that goes with LinoLetter.

So it goes to show that the one who gave me a hard time was adamant Eve, not adamant Steve.