A list of puns related to "Ildikó Enyedi"
This article includes a lot of film stills. If you would like to see the illustrated version click here.
https://36toesproductions.medium.com/ildik%C3%B3-enyedis-on-body-and-soul-30603dbd1cc3
White is not a color. White is generated by the presence of the full spectrum of visible light. Figuratively, white can be seen as a lack of color but in terms of light, it is actually a confluence of all the colors. It is deceptively rich and complex. The movie On Body and Soul is mostly white. The people, the settings, the light, and the objects in the film are more often than not white. All these elements appear featureless and pure but they belie a deeper current of tension, drama, and symbolism.
Near the beginning of the film. Mária, the female protagonist is being teased behind her back and one of her co-workers refers to her as “Snowhite.” The insult is meant to impugn Mária’s being aloof as if she is royalty but Mária has Asperger’s. She has a profoundly dampened affect, she abhors the touch of others, she has a savant ability to remember virtually anything, and she is closed off and seemingly detached. The world seems inscrutable and alien to her, and she appears inscrutable and alien to the world.
Like white, she seems blank but she is not. She has an active inner life and is sincerely trying to find her way through a world she finds confusing. She sits at her kitchen table with a salt and pepper shaker and uses them as figurines to figure out interactions she has had during the day. Salt of course is white and must deal with its opposite pepper which is black.
In one scene Mária actually dissolves into white. She is sitting in bed thinking over her day and as she finishes she leans back to lie down. As she sinks out of the frame and disappears the camera remains stationary leaving us to stare at the empty white wall. The wall is a portrait of her that lingers after she has left, opaque, flat, but present and solid.
On Body and Soul has two very distinct halves. The first half is open and mysterious. The associations between images are unclear and pregnant with dramatic possibilities. Mária works in a slaughterhouse and we watch a variety of graphic scenes as cows are killed and processed. The copious amounts of blood contrast with the white found in the rest of the film. The slaughterhouse also contrasts with her dream life in which she is a doe in a snow-cov
... keep reading on reddit ➡With the return of Ildikó Enyedi last year and her Golden Bear winning, Oscar nominated film On Body and Soul unfortunately getting picked up by Netflix in North America, does anyone else hope Criterion is looking into her past films for a release?
Hungarian cinema is lacking already in the Collection, but her films aren't the easiest to find and would totally benefit from a proper restoration.
Edit : ... Should be 2017, 2018 and 2019 in the title.
2017
2018
2019
I don't want to step on anybody's toes here, but the amount of non-dad jokes here in this subreddit really annoys me. First of all, dad jokes CAN be NSFW, it clearly says so in the sub rules. Secondly, it doesn't automatically make it a dad joke if it's from a conversation between you and your child. Most importantly, the jokes that your CHILDREN tell YOU are not dad jokes. The point of a dad joke is that it's so cheesy only a dad who's trying to be funny would make such a joke. That's it. They are stupid plays on words, lame puns and so on. There has to be a clever pun or wordplay for it to be considered a dad joke.
Again, to all the fellow dads, I apologise if I'm sounding too harsh. But I just needed to get it off my chest.
THIS POST HAS BEEN EDITED TO BE A SCREENER LIST FOR THE NOMINEES
Please see the r/Piracy Megathread for updates.
Please comment below with any screeners or ways of viewing the films.
If you're looking for some odds for the winners in each category, go have a look at Golden Derby..
SCREENER RELEASES AND AVAILABILITY
Do your worst!
I'm surprised it hasn't decade.
This article includes a lot of film stills. If you would like to see the illustrated version click here.
https://36toesproductions.medium.com/ildik%C3%B3-enyedis-on-body-and-soul-30603dbd1cc3
White is not a color. White is generated by the presence of the full spectrum of visible light. Figuratively, white can be seen as a lack of color but in terms of light, it is actually a confluence of all the colors. It is deceptively rich and complex. The movie On Body and Soul is mostly white. The people, the settings, the light, and the objects in the film are more often than not white. All these elements appear featureless and pure but they belie a deeper current of tension, drama, and symbolism.
Near the beginning of the film. Mária, the female protagonist is being teased behind her back and one of her co-workers refers to her as “Snowhite.” The insult is meant to impugn Mária’s being aloof as if she is royalty but Mária has Asperger’s. She has a profoundly dampened affect, she abhors the touch of others, she has a savant ability to remember virtually anything, and she is closed off and seemingly detached. The world seems inscrutable and alien to her, and she appears inscrutable and alien to the world.
Like white, she seems blank but she is not. She has an active inner life and is sincerely trying to find her way through a world she finds confusing. She sits at her kitchen table with a salt and pepper shaker and uses them as figurines to figure out interactions she has had during the day. Salt of course is white and must deal with its opposite pepper which is black.
In one scene Mária actually dissolves into white. She is sitting in bed thinking over her day and as she finishes she leans back to lie down. As she sinks out of the frame and disappears the camera remains stationary leaving us to stare at the empty white wall. The wall is a portrait of her that lingers after she has left, opaque, flat, but present and solid.
On Body and Soul has two very distinct halves. The first half is open and mysterious. The associations between images are unclear and pregnant with dramatic possibilities. Mária works in a slaughterhouse and we watch a variety of graphic scenes as cows are killed and processed. The copious amounts of blood contrast with the white found in the rest of the film. The slaughterhouse also contrasts with her dream life in which she is a doe in a snow-cov
... keep reading on reddit ➡Please note that this site uses cookies to personalise content and adverts, to provide social media features, and to analyse web traffic. Click here for more information.