I’m making the jump from shooting with regular Fuji and Kodak 400 ISO to a larger variety of film speeds and materials. I bought a roll of 800T cinastill — but my friend who has much more experience than me suggested that this particular film stock is best shot at 400ISO. Thoughts?
I shot some tungsten film last weekend and realized that I didn’t use a daylight filter for it, so now I’m gonna have to color correct the hell out of it. How many of you do this digitally and how many of you do this with filters when you shoot? I like to project my stuff, so I’m gonna invest in some filters.
Hi everyone! Is it possible to use tungsten film on a basic point and shoot camera, or is it not going have a long enough exposure? Does anyone have any tips? I bought the film to play with for the first time in a different camera but accidentally loaded it into my p&s and would love some advice on how to make these photos work, as I don't have any experience with this film. Thanks!
I have a 500W Tungsten Fresnel that I want to use as a main light. What filter do I need on the lights to balance the light and using daylight film such as Portra 400? I have heard 80a or 80b.
I just bought the Kodak Vision 200T to be used with my Nizo S56, which cones with the Tungsten filter switch (light bulb icon).
I’ve searched the sub and I got mixed answers as to how to use it. Should I leave the switch in Daylight (Sun icon) or Tungsten?
Which one is actually the filter? 2 things I don’t want: a blue cast to the shot and the filter being moldy and damaging thw footage.
Any info will be highly appreciated!!
More than anything I was very surprised about the extremely fine grain and color accuracy under tungsten lighting, it's not like they use this exact emulsion to shoot hundred-million-dollar movies that undergo heavy digital processing and end up projected to the size of a house with no noticeable image quality degradation
So I happen to have 19 Rolls of 120 Fujichrome 64T Type II expired in 2003.
I've shot one roll at 50 and the results came back suprisingly good, except of course the strong blue shift.
I'd love to shoot these rolls in my Yashica, but I don't really have strong enough hotlights to shot 50iso film. If I'd somehow manage to find a warming filter for my Yashica 124 it would be great, but even then I would loose half a stop and at 32 iso I cant really handhold it anymore.
Could I maybe gel some flashes and try to shoot it in the studio?
Whats a low sensitivity tungsten balanced film for anyway?
I'd love to hear what you guys have to say :)
Includes replacement bulbs!
Here is my post from Craigslist,: https://denver.craigslist.org/pho/d/as-arri-filmmaking-lights/6336581651.html
Some more with my time stamp: https://imgur.com/a/2FG4J
I bought these things thinking I'd use them on my film sets, but I haven't made a movie in almost a year. Taking 750 OBO.
I have 3 rolls of Fuji NLP 160 tungsten balanced film in my possession. I had four shot one and can attest to the gorgeous quality of this film. These are probably some of the last rolls of Tungsten balanced negative film left as far as I know.
Video review I made: https://www.youtube.com/watch?v=ROPnjJzkFEc&feature=youtu.be
just curious to see some results
r/KnifeClub people…. Talk me out of buying a Sandrin Torino.
I want one, but $200+ is out of my comfort range.
OTOH, there is alot of cool things going on there.
Thanks in advance.
I will of course be bringing gels.
NOOB here, please advise.
We where scared you know?
Like, really scared. We where fucking trembling when the Iraxi fleet suddenly appeared inside luna's orbit.
Their ships are very intimidating, what with their thousands of laser turrets and fucking energy shields. They looked right out of a sci-fi apocaliptic film, and they could jump around our systems like a drunk rabbit.
Thats why we where flabbergasted when, after the Casaba net around earth fired, not a ship remained operational.
Do you know how scared we where of advanced aliens? We where prepared to fight against someone on par with us technologically, but more advanced? we had no idea what to expect. we certainly wherent expecting their ships to just crumble...
We where confident you know?
The humans where primitive.
There no two ways of getting around this.
They were still playng around with Alqubierre drives and orbital mechanics, not yet having discovered the gamechanging Dark matter core technology that enables the galactic council to have the reach and influence it had.
But the fact is, contrary to every other species, this was not a stopgap technology to wait for development of The Drive to finish, no.
They dreamed of the technology they achieved, and built their entire military around it.
You see, the Alqubierre drive is dependent on a warping of spactime to erect a bubble around itself so as to isolate the ship from the universe, enabling to achieve FTL by sheer wheight of the virtual particles towing this "bubble". It's a crude method that cannot work too close to a gravity well, so for in system travel good old sublight drives are necessary.
And the humans where masters of sublight warfare.
Where our ships resemble plates, to better distribute laser hits on our shields and to give maximum visibility for our turrets, theirs, without exception, where cones.
And whereas our ships relied on shields for protection against enemy fire, the Humans's ships where covered in reflecting whipple shields wrapped around ablative armor, defending both against hipervelocity kinetics and laser fire.
And their weaponry... I shudder at the memory.
After our defeat we where rescued by one of their ships, and i managed to convince a naive crewman to give my a tour of the ship. Here is the transcript:
Iraxi gunner: So, Human John, what weapon did you use to so completely destroy our fleet? I assume you have good cloaking tech on these ships of yours, as we did not see any ships nearby at the time.
Human ensig
... keep reading on reddit ➡