Cutaway (filmmaking) Puns

We’re Radio Silence, the filmmaking team of Matt Bettinelli-Olpin, Tyler Gillett and Chad Villella. Our most recent film, SCREAM (2022), is now playing in theatres! Matt ＆ Tyler directed, and Chad executive produced. With this installment, we hoped to create a modern-day love letter to the original film that would simultaneously honor Wes Craven and introduce a new generation to a modern, meta genre of horror, much in the same way the original SCREAM did for audiences in the ’90s. Previous Projects include READY OR NOT, SOUTHBOUND, DEVIL’S DUE and V/H/S. AMA!

https://www.screammovie.com/ PROOF: https://i.redd.it/3ij3yxzu63e81.jpg

Thank you all for the incredible questions and all of the SCREAM love!!! We appreciate all of you so much!!!

this article from Time sums it up

"

It’s impossible to assess Star Wars: The Rise of Skywalker in a vacuum. Each movie in the latest Star Wars trilogy has been a response to the one that came before it. If J.J. Abrams’ first entry, The Force Awakens, tried to avoid the fate of the ill-reviewed prequel movies by hewing a little too closely to the plot of the original Star Wars film, A New Hope, then Rian Johnson’s inventive Last Jedi questioned why fans and directors worship at the altar of old I.P. instead of forging ahead with something new.

If Rey’s parents were nobodies, as Johnson tried to establish in that film, that meant that not just Skywalkers and Palpatines could be the heroes and villains of these stories: Anyone could be a Jedi (including the enslaved kid with the broom featured in the last shot of Johnson’s film.) Shaking off the dust of past movies allowed for new kinds of character arcs and stories, and a path for Rey that didn’t fall in step exactly with Luke’s before her. Hero Luke Skywalker and villain Kylo Ren don’t agree on much, but in that movie they kept repeating the same sentiment over and over again. To quote Kylo: “Let the past die. Kill it, if you have to.” Only then could the new cast step outside the original trio’s shadows and create something fresh.

Johnson’s thesis offered a way forward for films too often bogged down by their predecessors. And yet it proved rather unpopular with a small but loud contingent of fans who have put quite a bit of time and energy into their worship of what came before, namely Luke Skywalker. The harassment targeted at Johnson and several of the cast members — most notably Kelly Marie Tran, who was driven from social media by racist and sexist trolls unhappy with the film — manifested in a campaign to “remake” The Last Jedi. (There are, of course, legitimate critiques of the movie not rooted in sexism or racism, but as with all things on the Iinternet the bigots tend to find a way to be the loudest.)"

"What is somewhat surprising, however, is that Abrams seems to have capitulated to that contingent of fans with The Rise of Skywalker. If Johnson begged the franchise to let the past go, Abrams counters with a movie

Hey guys,

So I was thinking today. I've been watching old fox broadcasts with the cutaway car and thought that it would be a good addition for the first season of the nextgen car to explain how new elements worked.

I can imagine that many demonstrations could be done through graphics but I believe the cutaway car could provide a more "hands on" perspective.

The main problem I see with this is probably price and availability of parts. Moreover, the networks could potentially have to foot the bill.

Having Larry Mac and Steve Latarte explain the car would be really cool.

Thoughts?

I liking the show so far and I’m definitely willing to give the whole season a chance. But one thing I noticed in the last episode is that they don’t utilize flashback or cutaway scenes like HIMYM did. There were a few moments in E3 where characters referenced things and a cutaway would have fit perfectly but they didn’t do it. HIMYM used to do these all the time, especially to Ted & Marshall’s college days or a scene from Robin as a kid showing her terrible parents. In my opinion it would have been funny to keep that going and maybe we could connect more with a character like Charlie or Ellen if we see a flashback to their lives pre-NYC and get some context to their character. I’m picturing something like cut to a scene with Charlie’s posh family being snooty or we see a glimpse of how shitty it was to be only 1 of 2 lesbians in a small town like Ellen was.

Heyo!

I've been trying to pick a disk detainer lock, and I'm getting better at finding the disks and turning them, but I can't feel any gates throughout the whole range of motion. Everything just feels really grindy and rough to me...

Does anyone know of a good cutaway or clear disk detainer that I can use to get a better idea of what I'm feeling?

Thanks!

In one episode, for instance, Meg’s friends called her Megan but then she cuts away to a scene where on the day she was born, Lois asked Peter to take Meg’s birth certificate and have it signed by the doctor-but Peter (being the guy he is) crossed out the -an in Megan and made it out so it would look like Meg’s legal name is Megatron Griffin.

Kurtis says and does a lot of funny stuff but by far the made up like dream sequence cutaway scenes he does are the most ridiculous and hilarious parts of his videos and I just want to know how his mind works! Like this one from his recent video where he mocks the movie screaming at himself "where were you born" and then quotes the "you're not my dad vine" and then shoots himself? Like its so funny but how does he come up with it. And every-time I've tried to explain one of them to someone who hasn't seen it they are confused. Anyways this is mostly an appreciation post for the Mayor's creative mind but also what are your guys favorite cutaway scenes his done?

It was a book from my childhood in elementary school, and I recall that I would often sit at the Library on certain days and read these types of books with various cutaways on cars and other machines.

One of the books had cars on the cover, and another book showed ocean liners and ships, presumably the same author. My school closed years ago, and many of the books got shipped out.

So, the cutaways show the cars' inner workings or the inside of the ocean liners with sections depicting people working or the machinery, etc.

I would love to be reunited with those books for nostalgia.

Unlike the rest of the films, kotm actually shows the chaotic mayhem DURING the fights. You see cars flying everywhere. You see two soilders get vaporized by stray gravity beams. You see a dude get knocked out by an explosion etc... the best the other films do is show buildings get destroyed.

Speed equalized

Peter also scales to cutaway gag versions of other characters

Hi, I am from Austria and filmmaking is my passion. I really want to work in the film industry, therefore, it is important me to learn more about cinematography. But there hardly any filmschools in Austria and people recommend me to study photography on the Die Graphische. But how similiar are the techniques ( for example) of photography to the ones of filmmaking? Will I learn something about cinematography too, if I study photography?

Is it just me or are a lot of new shows so plot focused and the entire plot is characters going from one big event to another with little to no care about cinematography? Some of the shows that I've seen that are made by people who deeply care about making a fantastic piece of art are Euphoria. Stranger things. Succession. Master of none (especially season 3). Westworld. The wire. True detective(season 1) and cowboy bebop. I don't really care about what genre the show is, just that it's saying something and is well made

CT: "I'll smash his head and eat it!"

Cut away to CT and Hannibal Lector at a dining table, eating Adam's brain. Lector asks CT something, he mumbles back an answer, and Lector tells him to speak up.

Turbo: "You cannot copy my walk!"

Cut away to Turbo in the patent office, copyrighting his walk.