it was a very nice movie

I have a new favorite one

https://twitter.com/HarrisonWind/status/1416162332909228035?s=19

I've seen a few comments from fans saying that Wes Unseld Jr got the job due to nepotism as his father is the Wizards GOAT and it may be a small factor but the way Michael Malone and Tim Connelly continuously speak about him and the few times I've seen him coach when Malone gets ejected leads me to believe he'd be a top tier head coach.

Always brings an aura of calmness that I believe Washington heavily needs and is by a lot of accounts the defensive mastermind behind the Nuggets. You might not think of the nuggets as a defensive team but they have performed decently on that end despite having a core of Jokic, Murray, and Mpj and all these players came as even worse defenders and have developed exponentially on that end.

I’m no whale biologist and this should not be considered marriage counseling.

His vocals (and guitar playing) are a real fine addition to the live recordings out there.

In a recent interview with DCTV podcasts, John Wesley Shipp confirmed that the version of Jay that we will see in tonight's Stargirl episode is the exact same iteration as the one we have been seeing on The Flash! The interviewer specifically asks if this is a post-crisis version of Jay before he made his way to Earth-Prime & Shipp confirmed that was what he had been told & that he was chosen to be an ambassador of the Arrowverse. Now it's always possible that he's simply mistaken and he is in fact playing his Earth-2 dopperganger but i that vert unlikely. So until we know more I think it's safe to assume he's correct. He did say more would be revealed later.

So there you have it folks! Straight from the horse's mouth! How do we feel about this? Personally I am very excited because it opens the doors to future multiversal crossovers! But what do you guys think?

The interview: https://theflashpodcast.com/interviews/exclusive-interview-john-wesley-shipp-the-flash-jay-garrick-stargirl-season-2/

Last seen at 1143 Dean Forrest Road in Savannah, Georgia.

Family members tell me he has not been thinking clearly and has not been himself.

Has on a white shirt and gray and white shorts.

Played at Georgia Southern from 2017-2020.

https://twitter.com/TheBigGuyWJCL/status/1449851872584552452 https://twitter.com/TheBigGuyWJCL/status/1449829078979289088

[Had some fun and ranked all 39 albums by His Bobness. Everything you are about to read is simply my opinion; whether you agree or disagree, let’s have a healthy, respectful dialogue in the comments!]

 

#15 - John Wesley Harding

 

Released: December 27, 1967

Produced by: Bob Johnston

 

Disregarding the circumstances surrounding its recording and release, John Wesley Harding is still such a ridiculously fascinating album. It’s the first and only time that Bob strips down to this small a combo, performing with Charlie McCoy and Kenny Buttrey as a trio for the majority of these songs (shoutouts to them as low-key MVPs of this record). With the benefit of hindsight, we get to hear how the soundscape was influenced by the Basement Tapes sessions that took place earlier in the year, and what an effective, intimate sound it is.

Then, of course, we have the shift in Dylan’s songwriting. I have certain opinions on this era of his music that I’ll delve deeper into sometime down the road, but it can’t go unsaid how interesting the contrast is from his previous few albums to this one. He maintains a cryptic aura while simultaneously introducing a more straightforward approach to his storytelling, resulting in tracks like “As I Went Out One Morning”, “Drifter’s Escape”, and “The Wicked Messenger”, all equally gripping and unlike much of anything he’d done up to this point. Additionally, the biblical connotations of “All Along the Watchtower”, “I Dreamed I Saw St. Augustine”, and “The Ballad of Frankie Lee and Judas Priest”, among others, suggest a greater sense of mystery and exploration both within the songs themselves and Bob’s mindset.

It shouldn’t be lost in discussing the strength of the compositions that John Wesley Harding is a satisfying sonic experience as well. The stripped-down arrangements allow the songs to breathe wonderfully, and many of the aforementioned tracks - as well as “I Pity the Poor Immigrant” and “Dear Landlord” - feature splendid vocals and melodies as well. The closing duo of “Down Along the Cove” and “I’ll Be Your Baby Tonight” offer a nice glimpse of things to come, and Pete Drake’s pedal steel presence aids both tracks greatly.

Despite all of the love I’ve just given it, this

Which is true and correct? Where can we see that?

And they said longterm goal of this religion was "basically to bring Christ to people of all social classes." Where do we see this?