SOUNDTRACK: DARKNESS SETTLES IN
After losing an outstanding match to Fruit Gambino thanks to the FBE Television Champion Karma for causing the distraction. T.M Imran stands in the middle of the ring with a microphone in his hand. T.M Imran starts talking while breathing heavily.
There shouldn't be any excuses on nights like this and I am not going to male an excuse. Fruit Gambino was the better man tonight and I know that Fruit must be telling himself in the back that "This was a match worth coming back to this ring". I'll be sure to get back to Gambino when the time comes. But KARMA ! You've just made an enemy out of me. Of all the ways you could've chosen to get under my skin. You chose the most dangerous way. You were lucky I couldn't hit you tonight but now there's no way back from this. I am not just going to take your title now. I am going to leave scars on your body. It is convenient that you and I will collide at Carnage for the FBE Television championship. Because not only am I hungry for Gold but I want to cause Carnage in your life now. Karma ! I challenge you to a No Holds Barred Match for FBE Television Championship at Carnage. Get your ass out here and accept my challenge Dr. Psycho.
T.M Imran paces around waiting for Karma but there's no answer.
T.M: Alright ! You're not going to come out on my call. I thought you were just being a Psychopath doctor. Who is obsessed with taking out other people's body parts but actually you're a psychopath without balls. Anyways, I'll get what I want sooner rather than later. You can "MARK IT DOWN"
T.M Imran puts down the microphone and exits the ring. Imran takes off his gloves and gifts it to a young fan in the audience before walking to the backstage.
30 Minutes Later
T.M Imran comes out of the trainer's room. He is looking fresh. Out of nowhere, Karma attacks T.M Imran. Karma smashes Imran right and left in the walls and boxes. As T.M looks to be unconscious. Karma pulls out a trimmer to shave Imran's beard. Karma turns the trimmer on and is about to shave the beard of "The Better One". T.M Imran blocks Karma and pulls the trimmer away. T.M Imran smashes the trimmer right over Karma's head. Karma stumbles back on his feet. T.M Imran attempts to use the trimmer on
... keep reading on reddit ➡Please and thank you
After watching the surprisingly well-done Psycho II yesterday, I became quite eager to check out the third film and see how Anthony Perkins did as a director. Here are my thoughts.
The best thing about this is Perkins as Norman Bates. He’s just as good here as he was in the last two, but I’d actually argue that he had the hardest job in this film of the three so far.
This is the first film in the series where the audience is acutely aware of his murders throughout the film. But he still manages to be charming and elicit sympathy despite the fact that, in some cases, you may have just seen his face as he causes an innocent person’s grisly demise a scene or two prior.
Perkins also gets the chance to exercise a wider range of emotion in this film, showing great anger in some scenes and finally making an attempt to put in an end to the tyranny of his “mother” for good.
I’m also happy to say that Perkins does quite a good job in the director’s chair. His direction is a bit flat and unremarkable for the first few minutes, but it soon transforms into a very creative and different style. He doesn’t use as much of the unorthodox camera angles of the first two, instead opting to find interesting ways to move the camera around the scene, creating interesting transitions and a more kinetic, intense atmosphere compared to the first two films.
He also has a great eye for color, using bright neons, particularly reds and purples, to light up the frame and make a strangely very pretty film to look at.
The biggest thing that bothered me was the leading female character. The actress is fine, but her subplot about being a former nun who flees her convent doesn’t really add anything of value. I think if they reworked her character we could’ve saved a bit of time and focused up the narrative. The other major female role, a reporter, is better and more relevant to the plot, but I did find it a bit unfortunate that her character is kind of the same one as Vera Miles in Psycho II.
One final point of contention for me is the last shot. I don’t know whether people generally care for it or not, but personally I didn’t think it quite meshed with the climax that precedes it. But that feels more like personal preference than anything.
So, although the unfocused plot and slightly borrowed elements from Psycho II make this the weakest of these first three films, I still found this to be an engaging horror film that doesn’t disrespect the legacy of the franchise. Recommended to an
... keep reading on reddit ➡
HD
--------------------------------------------
Disney Aladdin [2019] HD GP Split
Disney Sword In The Stone HD GP Split
Disney Pixar The Good Dinosaur HD GP Split
Disney Pixar Inside Out HD GP Split
Disney Dumbo [2019] HD GP Split
Disney Into The Woods HD GP Split
Disney Ralph Breaks the Internet: Wreck It Ralph 2 HD GP Split
Star Wars The Force Awakens HD GP Split
Marvel Guardians Of The Galaxy HD GP Split
Marvel Guardians Of The Galaxy 2 HD GP Split
Marvel Doctor Strange HD GP Split
Marvel Captain Marvel HD GP Split
Marvel:Avengers Age Of Ultron HD GP Split
Marvel Avengers: Infinity War HD GP Split
Skyfall HD GP Split
Game of Thrones Season 8 HD GP
Marjorie Prime HD [Canadian GP Only]
Gridlocked HD [Canadian GP Only]
Arrow: Season 7 HD [VUDU] <--------------TRADED/GONE
Red 2 HD [VUDU]
The Gambler HD [VUDU]
Mission Impossible: Ghost Protocol HD [VUDU] Split
XXX: Return of Xander Cage HD [VUDU]
The Adventures of Tintin HD [VUDU] Split
Perks Of Being A Wallflower HD [VUDU]
Hugo HD [VUDU] **Redeemable Through WBdigital**
13 Hours: The Secret Soldiers of Benghazi HD [VUDU]
The Last Stand HD [VUDU]
Mother! HD [VUDU] Split
Deepwater Horizon HD [VUDU]
Hot Pursuit (2015) HD [VUDU]
Robocop (2014) HD [VUDU]
Super 8 HD [VUDU] Split
The Hunger Games HD [VUDU]
The Hunger Games: Catching Fire HD [VUDU]
The Hunger Games: Mocking Jay Part 1 HD [VUDU]
Twilight Breaking Dawn Part 2 SD [VUDU]
Solo: A Star Wars Story HD [MA] Split No DMR Points
Marvel Avengers: Endgame HD No DMR Points
Crazy Stupid Love HD [MA]
The Lost World: Jurassic Park HD [MA]
Jurassic World HD [MA]
Last Vegas SD [MA]
Deadpool HD [MA]
The Incredible Burt Wonderstone HD [MA]
Rookie Of The Year HD [MA]
Gravity HD [MA]
Teenage Mutant Ninja Turtles III HD [MA]
300: Rise Of An Empire HD [MA]
Gatsby HD [MA]
The Amazing Spider-Man 2 HD [MA]
Santa's Little Helper HD [MA]
Man Of Steel HD [MA]
Paul Blart Mall Cop 2 SD [MA]
The Mummy (2017) HD [MA]
The Gallows HD [MA]
Sing HD [MA]
Into The Storm HD [MA]
The Apparition HD [MA]
The Scorpion King 3 HD [MA]
Spider-Man (2002) HD [MA]
Despicable Me 2 HD [MA]
Despicable Me 3 HD [MA]
The Purge HD [MA]
Insidious: The Last Key SD [MA]
The Walk SD [MA]
Bleed For This HD [MA]
The Bourne Identity HD [MA]
Dracula Untold HD [MA]
The Secret Life Of Walter Mitty HD [VUDU/MA]
Tu
... keep reading on reddit ➡
Wanted to let y'all know, just in case anyone was having trouble finding these.
After watching the surprisingly well-done Psycho II yesterday, I became quite eager to check out the third film and see how Anthony Perkins did as a director. Here are my thoughts.
The best thing about this is Perkins as Norman Bates. He’s just as good here as he was in the last two, but I’d actually argue that he had the hardest job in this film of the three so far.
This is the first film in the series where the audience is acutely aware of his murders throughout the film. But he still manages to be charming and elicit sympathy despite the fact that, in some cases, you may have just seen his face as he causes an innocent person’s grisly demise a scene or two prior.
Perkins also gets the chance to exercise a wider range of emotion in this film, showing great anger in some scenes and finally making an attempt to put in an end to the tyranny of his “mother” for good.
I’m also happy to say that Perkins does quite a good job in the director’s chair. His direction is a bit flat and unremarkable for the first few minutes, but it soon transforms into a very creative and different style. He doesn’t use as much of the unorthodox camera angles of the first two, instead opting to find interesting ways to move the camera around the scene, creating interesting transitions and a more kinetic, intense atmosphere compared to the first two films.
He also has a great eye for color, using bright neons, particularly reds and purples, to light up the frame and make a strangely very pretty film to look at.
The biggest thing that bothered me was the leading female character. The actress is fine, but her subplot about being a former nun who flees her convent doesn’t really add anything of value. I think if they reworked her character we could’ve saved a bit of time and focused up the narrative. The other major female role, a reporter, is better and more relevant to the plot, but I did find it a bit unfortunate that her character is kind of the same one as Vera Miles in Psycho II.
One final point of contention for me is the last shot. I don’t know whether people generally care for it or not, but personally I didn’t think it quite meshed with the climax that precedes it. But that feels more like personal preference than anything.
So, although the unfocused plot and slightly borrowed elements from Psycho II make this the weakest of these first three films, I still found this to be an engaging horror film that doesn’t disrespect the legacy of the franchise. Recommended to an
... keep reading on reddit ➡After watching the surprisingly well-done Psycho II yesterday, I became quite eager to check out the third film and see how Anthony Perkins did as a director. Here are my thoughts.
The best thing about this is Perkins as Norman Bates. He’s just as good here as he was in the last two, but I’d actually argue that he had the hardest job in this film of the three so far.
This is the first film in the series where the audience is acutely aware of his murders throughout the film. But he still manages to be charming and elicit sympathy despite the fact that, in some cases, you may have just seen his face as he causes an innocent person’s grisly demise a scene or two prior.
Perkins also gets the chance to exercise a wider range of emotion in this film, showing great anger in some scenes and finally making an attempt to put in an end to the tyranny of his “mother” for good.
I’m also happy to say that Perkins does quite a good job in the director’s chair. His direction is a bit flat and unremarkable for the first few minutes, but it soon transforms into a very creative and different style. He doesn’t use as much of the unorthodox camera angles of the first two, instead opting to find interesting ways to move the camera around the scene, creating interesting transitions and a more kinetic, intense atmosphere compared to the first two films.
He also has a great eye for color, using bright neons, particularly reds and purples, to light up the frame and make a strangely very pretty film to look at.
The biggest thing that bothered me was the leading female character. The actress is fine, but her subplot about being a former nun who flees her convent doesn’t really add anything of value. I think if they reworked her character we could’ve saved a bit of time and focused up the narrative. The other major female role, a reporter, is better and more relevant to the plot, but I did find it a bit unfortunate that her character is kind of the same one as Vera Miles in Psycho II.
One final point of contention for me is the last shot. I don’t know whether people generally care for it or not, but personally I didn’t think it quite meshed with the climax that precedes it. But that feels more like personal preference than anything.
So, although the unfocused plot and slightly borrowed elements from Psycho II make this the weakest of these first three films, I still found this to be an engaging horror film that doesn’t disrespect the legacy of the franchise. Recommended to an
... keep reading on reddit ➡After watching the surprisingly well-done Psycho II yesterday, I became quite eager to check out the third film and see how Anthony Perkins did as a director. Here are my thoughts.
The best thing about this is Perkins as Norman Bates. He’s just as good here as he was in the last two, but I’d actually argue that he had the hardest job in this film of the three so far.
This is the first film in the series where the audience is acutely aware of his murders throughout the film. But he still manages to be charming and elicit sympathy despite the fact that, in some cases, you may have just seen his face as he causes an innocent person’s grisly demise a scene or two prior.
Perkins also gets the chance to exercise a wider range of emotion in this film, showing great anger in some scenes and finally making an attempt to put in an end to the tyranny of his “mother” for good.
I’m also happy to say that Perkins does quite a good job in the director’s chair. His direction is a bit flat and unremarkable for the first few minutes, but it soon transforms into a very creative and different style. He doesn’t use as much of the unorthodox camera angles of the first two, instead opting to find interesting ways to move the camera around the scene, creating interesting transitions and a more kinetic, intense atmosphere compared to the first two films.
He also has a great eye for color, using bright neons, particularly reds and purples, to light up the frame and make a strangely very pretty film to look at.
The biggest thing that bothered me was the leading female character. The actress is fine, but her subplot about being a former nun who flees her convent doesn’t really add anything of value. I think if they reworked her character we could’ve saved a bit of time and focused up the narrative. The other major female role, a reporter, is better and more relevant to the plot, but I did find it a bit unfortunate that her character is kind of the same one as Vera Miles in Psycho II.
One final point of contention for me is the last shot. I don’t know whether people generally care for it or not, but personally I didn’t think it quite meshed with the climax that precedes it. But that feels more like personal preference than anything.
So, although the unfocused plot and slightly borrowed elements from Psycho II make this the weakest of these first three films, I still found this to be an engaging horror film that doesn’t disrespect the legacy of the franchise. Recommended to an
... keep reading on reddit ➡