A list of puns related to "Reed Birney"
This is the debut film from actor turned writer/director Fran Kranz, and itβs a really solid piece of work. Itβs about a meeting between the parents of a murder victim and the parents of the killer, 6 years after.
At times it feels like it would be better as a stage play, and the first 15 minutes is kind of unnecessary, but the writing and performances are terrific. Everyoneβs going to have their favorite (Oscar pundits are talking about Dowd, I loved Isaacs & Plimpton). This type of movie is the best justification for why there should be an Ensemble category.
The most likely awards scenario is that this peaks with the Spirit Awards and Gothams, but itβs definitely worth your time and if you have a chance to support a small film on its first weekendβ¦do that!
I think weβll be seeing more from Fran Kranz.
Hi all! The Independent Spirit Awards are some of my favourite awards to predict, although most of the time we don't even know what's eligible. But here's my predictions at this point in time:
Best Feature β’ C'mon C'mon β’ The Green Knight β’ Mass (W) β’ Red Rocket β’ The Tragedy of Macbeth
Best Director β’ David Lowery (The Green Knight) β’ Joel Coen (The Tragedy of Macbeth) (W) β’ Mike Mills (C'mon C'mon) β’ Rebecca Hall (Passing) β’ Sean Baker (Red Rocket)
Best Male Lead β’ Adam Driver (Annette) β’ Denzel Washington (The Tragedy of Macbeth) β’ Joaquin Phoenix (C'mon C'mon) β’ Nicolas Cage (Pig) (W) β’ Simon Rex (Red Rocket)
Best Female Lead β’ Emilia Jones (CODA) β’ Olivia Colman (The Lost Daughter) β’ Taylour Paige (Zola) β’ Tessa Thompson (Passing) (W) β’ Vicky Krieps (Bergman Island)
Best Supporting Male β’ Christopher Abbott (On the Count of Three) β’ Colman Domingo (Zola) β’ Jason Isaacs (Mass) β’ Reed Birney (Mass) β’ Woody Norman (C'mon C'mon) (W)
Best Supporting Female β’ Ann Dowd (Mass) (W) β’ Frances McDormand (The Tragedy of Macbeth) β’ Marlee Matlin (CODA) β’ Martha Plimpton (Mass) β’ Ruth Negga (Passing)
Best Screenplay β’ After Yang β’ Bergman Island β’ C'mon C'mon (W) β’ CODA β’ Red Rocket
Best First Screenplay β’ El Planeta β’ The Lost Daughter β’ Mass (W) β’ The Novice β’ Shiva Baby
Best First Feature β’ The Lost Daughter β’ Mass (W) β’ Passing β’ Saint Maud β’ Shiva Baby
Best Documentary Feature β’ Cow β’ The Rescue β’ The Sparks Brothers β’ Summer of Soul (W) β’ Val
Best Cinematography β’ After Yang β’ The Card Counter β’ The Green Knight β’ Last Night in Soho β’ The Tragedy of Macbeth (W)
Best Editing β’ The Card Counter β’ C'mon C'mon β’ The Green Knight β’ Red Rocket (W) β’ The Tragedy of Macbeth
Best International Feature β’ Drive My Car β’ Paris, 13th District β’ Titane (W) β’ What do We do When We Look at the Sky? β’ The Worst Person in the World
John Cassavetes Award β’ El Planeta β’ Shiva Baby (W) β’ Test Pattern
Robert Altman Award β’ After Yang (W)
Best Picture:
Best Director:
Best Actress:
Best Actor:
Best Supporting Actress:
Best Supporting Actor:
I don't want to step on anybody's toes here, but the amount of non-dad jokes here in this subreddit really annoys me. First of all, dad jokes CAN be NSFW, it clearly says so in the sub rules. Secondly, it doesn't automatically make it a dad joke if it's from a conversation between you and your child. Most importantly, the jokes that your CHILDREN tell YOU are not dad jokes. The point of a dad joke is that it's so cheesy only a dad who's trying to be funny would make such a joke. That's it. They are stupid plays on words, lame puns and so on. There has to be a clever pun or wordplay for it to be considered a dad joke.
Again, to all the fellow dads, I apologise if I'm sounding too harsh. But I just needed to get it off my chest.
Here's some layover from last weekend. Hope you enjoy.
First up was The Last Duel
Ridley Scott's "The Last Duel" is set in France during the late fourteenth century, amid the ruinous Hundred Years' War and social disturbances in the wake of the Black Death. The movie is based on real historical events; like the country's last officially recognized "judicial duel," which was fought in 1386 and immediately became the matter of national legend. True, when Matt Damon fights side-by-side with noble servants, the film sometimes feels like a spectacular big-budget action epic with a golden-age hero. But it also succeeds where many epics fear to tread, because this story is both surprisingly simple and deceptively complex.
The result of this clash is not really the point of the screenplay, adapted from Eric Jager's book of the same name by Damon, Nicole Holofcener, and Ben Affleck. Like the classic "Rashomon," this is a story told in a tripartite structure - the picture is split into three different sections showing the same series of events. Each of them functions as a perspective for one of the major players in this narrative of war, loyalty, betrayal, romance, serious accusations that can only be resolved with trial by combat, and the backward thinking is that God will only allow the truthful one to emerge victoriously.
Damon plays Jean de Carrouges, an aristocrat and a respected warrior who took part in the Battle of Limoges, against English troops, in 1370, and proved both insubordinate and reckless. Defying orders to hold fire, he bravely yet vainly led a charge that was defeated. His life was saved in that dubious battle by his friend Jacques Le Gris (Adam Driver), a squire, educated and suave and no less courageous in battle, but also a notorious womanizer and a courtier to Count Pierre dβAlenΓ§on (Ben Affleck), a sybarite and a libertine who relied on Le Gris to keep his accounts and join in his debauchery.
We're first with Carrouges, who's a brave warrior in various campaigns for his king and country, certain that he will inherit a fortress captaincy from his father, and generous in marrying Marguerite, the daughter of Robert de Thibouville (Nathaniel Parker), whoβd been a treasonous sympathizer of the English. The first contention between him and Jacque comes from a plot of land, promised to Carrouges in Marguerite's dowry but given to Le Gris by Pierre. Encouraged by his patron, Le Gris
... keep reading on reddit β‘Watch Morning Joe Highlights on October 21, 2021
Morning Joe breaks down the day's biggest stories. The panel discusses the latest in U.S. and world news, politics, and sports. Watch on MSNBC weekdays from 6-9 AM ET and later on r/CableNewsArchive.
U.S. Surgeon General on White House plan to vaccinate children ages 5 to 11
The White House is set to roll out Covid vaccines for children ages 5 to 11, and U.S. Surgeon General Dr. Vivek Murthy joins Morning Joe to discuss.
Jeh Johnson: You cannot have 200,000 people a month crossing the border
Former Secretary of Homeland Security Jeh Johnson discusses the country's ongoing border crisis, the rate of border crossings at the end of the Obama WH and crossings under Trump and Biden.
Rep. Jayapal: We may not get all we want in the bill, but let's get this done
Rep. Pramila Jayapal, chair of the Congressional Progressive Caucus, discusses negotiations over the Democrats' multitrillion-dollar spending bill and why despite proposed cuts to the reconciliation bill, it's important for it to be passed.
"Mass" examines the traumatic aftermath of school shootings
Actors Ann Dowd and Reed Birney appear in the new film "Mass," which looks at the epidemic of school mass shootings by focusing on two sets of parents meeting for the first time years after a tragedy.
Garry Kasparov kicks off a chess masterclass
Former world chess champion Garry Kasparov discusses a new 55-part chess masterclass, which he says has "never-before-told stories."
Joe: GOP standing in the schoolhouse door on voting rights
Senate Republicans filibustered a major voting bill Wednesday that would allow automatic and same-day voter registration and make Election Day a holiday. The Morning Joe panel discusses.
Why Senate Republicans should reach out to Joe Manchin
The Morning Joe panel continues its discussion on Senate Republicans filibustering a major voting bill Wednesday.
There are no flashes of panic, no sounds of gunfire nor sights of victims fallen, but make no mistake, Mass is born from violence. Itβs the story of tragedy, just many years down the line, and how the immense and irreparable pain permeates and seeps into the lives of all those connected to the event. Itβs not flashy in any way shape or form, but it sure does pack an emotional haymaker into its simple setup.
Two couples meet for a painful and raw conversation in the aftermath of a violent tragedy.
Director and writer Fran Kranz has delivered a raw, tightly woven chamber drama that is sure to render anyone overwrought with various emotions right along with the characters. Everything from the setting to the dialogue to even the pace, feels like a play, crafted for the low-key, naturalistic setting of a stage, that would be destined to clean up at the Tony Awards.
The minimalistic camera work and lack of any deviation from the four adults at the center of this story make this film effective, even if it does dip a toe here or there into the trappings of melodrama. Itβs a conversation that effectively could be happening between any number of people in this country over the last 22 years, but the audience is the fly on the wall for this one, feeling the grueling experience of grief and pain along with them. And of this suits the story and the true showcase of the film, the performances.
All four members of the cast deliver empathy and pain through each muted word and resounding monologue. Gail, played by Martha Plimpton, is practically paralyzed by her own extended mourning, while Jay, played by Jason Isaac, is filled with an anger that can only be contained for so long before it all comes spilling out. Opposite them, Ann Dowd tries her best to provide comfort to all the others as Linda, the mother of the perpetrator of his heinous act, and Reed Birney, as the father Richard, is equal parts regret and resentment that he even is in this situation.
These four people talk and ruminate over all the things that couldβve been different, that couldβve changed the outcome for all of them. The topics that have been discussed for decades now - gun access, video games, mental health - are all brought up and mentioned as factors in one individualβs choice to kill his classmates, but none of that blame helps these people heal, and changing any one of them may or may not have helped, no one could ever know. But that room under a church is a place that so many people ha
... keep reading on reddit β‘Only 2 weeks left! So, why not (over)analyze the hell out of the trailer to bear the waiting?
Wanted to do it frame by frame with individual screenshots from a 4K trailer I found but there's a maximum of 20 pics so I had to make collages... but you can always zoom in, right?
This will be a bit long but worth your time if you are one of those fans like me who want to get into details.
Before we get to the images, here are the titles of the episodes + the synopsis of the 3 first ones so we can get a better idea of what we see in the pictures.
>June strikes back against Gilead as a fierce rebel leader, but the risks she takes bring unexpected and dangerous new challenges. Her quest for justice and revenge threatens to consume her and destroy her most cherished relationships.
>On the run after the end of Season 3, an injured June and the fugitive Handmaids find refuge at a farm, where the 14-year-old Wife nurses June back to health. June restores her role as the womenβs leader. In Gilead, an imprisoned Lawrence tries to avoid a death sentence, and Aunt Lydia reels from the loss of 86 children on Angelsβ Flight. The combative Waterfords, in custody in Toronto, learn of Juneβs feat.
>June plots revenge at the local Jezebels, before she and the Handmaids plan to leave the farm for the next safe house. In Toronto, Moira deals with the fallout of Juneβs choices, and Serena and Fred are bound together by a miracle.
>Captured by Gilead, June faces a vengeful Aunt Lydia and endures a torturous interrogation. Nick and Lawrence collaborate to protect June. In Toronto, Luke struggles with how to help June and Hannah
( Here's a great analysis by another user about that finale title! I think I figured out what the season finale title βThe Wildernessβ is referencing. : coconutsandtreason (reddit.com) )
Now the screenshots (combined with official screencaps of the first 3 episodes):
So, the handmaids carry
... keep reading on reddit β‘Do your worst!
I'm surprised it hasn't decade.
For context I'm a Refuse Driver (Garbage man) & today I was on food waste. After I'd tipped I was checking the wagon for any defects when I spotted a lone pea balanced on the lifts.
I said "hey look, an escaPEA"
No one near me but it didn't half make me laugh for a good hour or so!
Edit: I can't believe how much this has blown up. Thank you everyone I've had a blast reading through the replies π
It really does, I swear!
Because she wanted to see the task manager.
Theyβre on standbi
Pilot on me!!
BamBOO!
Nothing, he was gladiator.
Dad jokes are supposed to be jokes you can tell a kid and they will understand it and find it funny.
This sub is mostly just NSFW puns now.
If it needs a NSFW tag it's not a dad joke. There should just be a NSFW puns subreddit for that.
Edit* I'm not replying any longer and turning off notifications but to all those that say "no one cares", there sure are a lot of you arguing about it. Maybe I'm wrong but you people don't need to be rude about it. If you really don't care, don't comment.
What did 0 say to 8 ?
" Nice Belt "
So What did 3 say to 8 ?
" Hey, you two stop making out "
When I got home, they were still there.
I won't be doing that today!
Best Picture:
1. Nightmare Alley
2. Soggy Bottom
3. The Tragedy of Macbeth
4. House of Gucci
5. Dune
6. West Side Story
7. The Power of The Dog
8. Donβt Look Up
9. Belfast
10. The French Dispatch
11. The Humans
12. The Last Duel
13. Decision to Leave
14. Mass
15. Tick, Tick... Boom
16. King Richard
17. Spencer
18. The Lost Daughter
19. The Hand of God
20. C'mon C'mon
21. CODA
22. Journal for Jordan
23. Parallel Mothers
24. Being the Ricardos
25. A Hero
26. Cyrano
27. Cry Macho
28. The Card Counter
29. Last Night in Soho
30. In the Heights
31. Unforgiven
32. Dear Evan Hansen
33. Bruised
34. Eternals
35. The Guilty
36. Titane
37. The Harder They Fall
38. The Starling
39. Official Competition
40. Wolf
41. Electrical Life of Louis Wain
42. Swan Song
43. Carmen
44. Respect
45. Triangle of Sadness
46. The Green Knight
47. Fire
48. Munich
49. Benediction
50. The Survivor
Best Director:
1. Paul Thomas Anderson - Soggy Bottom
2. Guillermo Del Toro - Nightmare Alley
3. Denis Villeneuve - Dune
4. Jane Campion - The Power of the Dog
5. Joel Coen - The Tragedy of Macbeth
6. Ridley Scott - House of Gucci
7. Adam McKay - Donβt Look Up
8. Steven Spielberg - West Side Story
9. Kenneth Branagh - Belfast
10. Wes Anderson - The French Dispatch
11. Park Chan-wook - Decision to Leave
12. Ridley Scott - The Last Duel
13. Pablo Larrain - Spencer
14. Pedro Almodovar - Parallel Mothers
15. Paolo Sorrentino - The Hand of God
16. Asghar Farhadi - A Hero
17. Stephen Karam - The Humans
18. Denzel Washington - Journal for Jordan
19. Edgar Wright - Last Night in Soho
20. Mike Mills - C'mon C'mon
21. Clint Eastwood - Cry Macho
22. Lin Manuel Miranda - Tick Tick⦠Boom
23. Maggie Gyllenhaal - The Lost Daughter
24. Aaron Sorkin - Being the Ricardos
25. Fran Kranz - Mass
26. Julia Ducournau - Titane
27. Joe Wright - Cyrano
28. Halle Berry - Bruised
29. Leos Carax β Annette
30. Chloe Zhao - Eternals
Best Actor:
1. Denzel Washington - The Tragedy of Macbeth
2. *Will Smith - King Richa
... keep reading on reddit β‘Best Picture:
Best Director:
Best Actress:
Best Actor:
Best Supporting Actress:
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