Студия представила кадры из полнометражного аниме «Твоё имя» от режиссёра Макото Синкая, которое вышло в 2016 году.
Ранее CoMix Wave Films разместила на сайте фоны по мотивам других фильмов Синкая — «Сад изящных слов» и «Ловцы забытых голосов».
«Дитя погоды» — последняя на данный момент картина Макото Синкая. Она вышла в России в октябре 2019 года и собрала более 40 миллионов рублей, став самым кассовым полнометражным аниме за прошедший год и вторым за всю историю российского проката после «Мэри и ведьмин цветок»
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I just watched Breathless by Goddard and I loved it. I can’t wait to check out more. I loved its style and cinematography.
The 2001 film "Enemy at the Gates" was quite popular. It was very good popcorn cinema and arguably remains the most popular movie about the Eastern Front of WW2.
The movie, however, vastly exaggerated the tactical and strategic shortcomings of the Red Army during that time. While "human wave" tactics and "no step back" orders did exist and were used occasionally, their usages, to my knowledge (which comes mostly from this subreddit to be fair), were very localized and not very widespread as depicted in the film. There were also not such widespread supply shortages that one man would be given a rifle with one 5-round clip and the man behind him was given another 5-round clip and told to pick up the other man's rifle should he drop dead.
Nowadays, those incorrect perceptions of the Red Army during WW2 remain very popular. So the question is then: Did "Enemy at the Gates" popularize those misconceptions? If not, then what did?
Of all the films on there, I’ve only seen Elevator from the Gallows and the 400 Blows.
Which of the movies that have been added should I absolutely not miss? Also, is there a specific order I should view them?
I think that Waves is one of the best films in our modern time.
They really nail our young generation and add in heart wrenching and touching moments and an incredible story line.
Anyone who hasn’t seen it, go watch it.
Anyone have similar suggestions?
Does anyone else ever wonder about this?
In the era of streaming and easily accessible media, would they be using the wide reach of social media? I feel like they would take advantage of it.
Or were they simply a creation of the era and there's a reason why filmmakers like them don't exist currently?
