I have heard it been stated over and over again on the internet that "Weird" Al Yankovic has the right to perform and publish his song parodies even if the original artist/rights-holder fails to give him permission, but he always makes sure to do so out of courtesy.

But the Supreme Court holding seems as clear as mud to me (as a non-lawyer), and Googling doesn't clarify the matter. Can anyone shed some light on the matter for me?

Today's Volume 1,222,309

Avg. Volume 81,846

Has anyone tried the two brands? Would love to hear comparisons in wear, pigment and quality!

In 1991, Warner Music was sued for having used an uncleared sample in "Alone Again", a song from Biz Markie's third album. Warner Music lost, and the judge even referred the case for criminal prosecution (considering it theft).

According to Wikipedia, "as a result of the court case, the sound of hip hop music, heavily based upon combinations of various samples from various sources, was forced to change. Records such as those produced by The Bomb Squad for Public Enemy, filled with literally dozens of samples, were no longer possible: each and every sample had to be cleared to avoid legal action" (link)

How was sampling viewed from a legal standpoint before this trial? Was the change in the legal environment responsible for the change in copyright owner's attitude? Was the lack of cultural acceptance of hip-hop by the mainstream (at the time) a factor in the trial outcome?

The interaction of Anime and US copyright law has had a long history since the early days of bootlegged VCR tapes of Akira to the now streaming formats we all use. It is a vast topic that spans almost all the fandom’s activities from piracy to cosplay and fanart, and even the r/Anime Awards we hold every year on this server.

 

Naturally, because of the breadth of this topic, I’ll try to focus the discussion on what has been likely the most recognizable and common form of piracy in the Anime community: Fansubbed/translated Bootlegged Copies of Anime.

##B: The Beginning

The interaction between Anime and US copyright law begins in the same place all Anime does: Japan. When an artistic work like an Anime episode is made in Japan, it is copyrighted (this is known as fixation). The Anime is then given the same copyrighted status in the United States, under a principle known as reciprocity. ^[1]

 

This reciprocity is largely because both the US and Japan are signatories to something called the Berne Convention. Simply, the Berne Convention is an international treaty that makes a copyrighted work in one signatory country, a copyrighted work in all the other countries that signed the treaty.

 

In short, Anime that is copyrighted in Japan is copyrighted in the US. (So, unfortunately, while Anime can be reincarnated in another country it sadly changes nothing).

##Inside the Domain of US Copyright Protection: Monopoly Rights

Ok, I get it /u/jonlxh, Anime is Copyrighted in the United States. But what does that even mean? It means that the Copyright owner of the Anime is afforded some privileges or rights, which can be bought, sold, and licensed. These rights are mostly based on the idea of granting the copyright owner some measure of a monopoly. But why give them a monopoly you ask?

 

Well...it gets kinda esoteric and political. In essence, the idea is that we want to live in a society where people make interesting and useful things. So if we give people a monopoly for making something society loves. They can get rich or at least profit from it. Because everyone wants to get rich, more people will want to make something society or other people love.^[2][3] Thus, making a society where people make interesting and useful things. It's funny and even aggravating sometimes because it is not always how things work out but it has largely succeeded.

 

While there are many ways to infringe a c

Besides working full-time, I am a part-time college student. Last year, I had an English CREW class and the final project was writing an argument paper. At first, my proposed topic was work-related. However, after a discussion with my professor, we realized that the opportunities for argument in my topic were limited (i.e., there was little controversy). Instead, I changed my topic to the Legality of Fanfiction.

To be honest, in addition to be a fun project (writing about something I love), it was also an eye-opener for me. I discovered AO3 falls under the umbrella of the Organization for Transformative Works (OTW). In addition to being non-profit, OTW's work includes legal advocacy work and they publish a bi-annual journal called Transformative Works and Cultures. The journal is filled with scholastic articles on the subject of fanfiction (editorials, praxis, symposium, book reviews, etc.). It's by no means light reading, but there is always at least one or two article titles that peak my interest.

Has anyone else used Fanfiction as a topic for a college paper or done their own research? What were some eye-opening or interesting articles that you found?

Here are a few I've read in the last year:

Alter, Alexandra. "FRIDAY JOURNAL the Weird World of Fan Fiction.” Wall Street Journal, Eastern edition ed., Jun 15 2012, ProQuest. Web. 22 Mar. 2019. search-proquest-com..champlaincobalt.edu/libraryscience/docview/1020495789/fulltext/398CF275D32D4118PQ/1?accountid=40345 Accessed 22 March 2019.

“Campbell v Acuff-Rose Music, Inc.” 510 U.S. 569 (1994). https://supreme.justia.com/cases/federal/us/510/569/ Accessed 9 April 2019.

“Campbell v Acuff-Rose Music, Inc.” 510 U.S. 569 (1994). https://supreme.justia.com/cases/federal/us/510/569/ Accessed 9 April 2019.

Jackson, Gita. “It Used to Be Perilous to Write Fan Fiction”. Kotaku. 16 May 2018 3:38 PM. Updated 5:23PM. kotaku.com/it-used-to-be-perilous-to-write-fanfiction-1826083509 Accessed 4 April 2019.

Jenkins, Henry. “Why Heather Can Write”. MIT Technology Review. 6 February 2004. [https://www.technologyreview.com/s/402471/why-heather-can-write

Hi, My name is Wren and I’m a queer trans woman. I just heard the new Foo Fighters song “Waiting on A War” and it really resonated with me. I want to rewrite the lyrics in a different key with different instrumentation. It’s going to be from the perspective of growing up trans in a conservative area, and I think it’s fair use. Here are the lyrics compared:

(Original) I’ve been waiting on a war since I was young Since I was a little boy with a toy gun Never really wanted to be number one Just wanted to love everyone

(My version) I’ve been fightin in this war with no real choice Since I was a queer kid with a muffled voice Parents tried to raise me right, World raised me rough Cause sometimes being yourself just ain’t enough.

What do I call this? I feel like parody doesn’t fit, because that implies satire, but a cover isn’t super accurate either. I’m fairly certain that it’s covered under fair use since Campbell v. Acuff-Rose Music mentioned encouraging derivative works that brought new perspectives and themes. Would the term Reimagining be fitting? Please help.

I own a posters shop. Many peopel ask me about posters from games or with covers of games. So my question is - is it allowed to make a screenshot from game and sell it as poster? How is it with covers - they are for marketing purposes of the game, but would sales be allowed? Im asking because its often hard to find somebody ie in EA or DICE to answer me those questions.

Europe

Greetings from the Court,

The only announcement for today is in the matter of /u/Rolfeson v. /u/Trips_93. This copyright infringement case was brought under our rules for cases and controversies, and was heard by a three-Justice Panel.

No. 17-02

Plaintiff Rolfeson alleges that Justice Trips_93 committed copyright infringement in a comic posted to ModelUSpress. Defendant responded by pleaded the defense of fair use under 17 U.S.C. § 107.

Abstract

BSDDC, J., delivered the opinion of the Panel, to which RestrepoMU, J., joined. Notevenalongname, J., dissented.

• The Panel found that Defendant's secondary work did infringe on Plaintiff's copyright. Plaintiff proved both the ownership of a valid copyright in his comic and that Defendant's work copied original constituent elements from Plaintiff's comic.

• Drawing from Campbell v. Acuff-Rose Music, Inc the Panel found that Defendant's work parodied the original, and was therefore transformative. As such, the Panel delivered a judgment for the Defendant.

• Dissenting, Justice Notevenalongname would hold for the Plaintiff because the Panel erred in its application of the § 107 factors. Justice Notevenalongname disagreed with the Panel's finding of transformative use. Further, the Justice criticized the application of a superseding inquiry from Folsom v. Marsh, because "[i]t is universally recognized that a use that 'supersede[s] the original' is not protected by the Fair Use Exception." Justice Notevenalongname would have found for the Plaintiff.

Decision.

The Panel has concluded our work on this case, and the Court's business continues.

Justice BSDDC

With Alex and his cohorts vaguely threatening legal action or some other repercussions against DrApeis and the rest of the Love Letter devs, I thought I'd dissect what his actual legal claims are and the seeming likelihood of succeeding on those claims.

Full disclosure: I am not a lawyer, and certainly not a copyright attorney. I am, however, a law school student and several months ago had to research and present a case on copyright law, so I'm at least fairly familiar with the general laws and their application.

Upfront, I'd like to be clear, Alex likely has no real case against Love Letter. Even if he did, it's virtually certain that the costs of litigating would dwarf whatever he'd get out of it. The most I could reasonably expect him to do is send a toothless cease and desist letter and gamble that he can bluff Apeis and the other LL devs to back down.

The controlling case law for copyright infringement claims in the US stems from the Supreme Court Campbell v. Acuff Rose which articulates the four factors needed to find copyright infringement and their application. The factors are: 1. What the purpose and character of the derivative work is; 2. The nature of the copyrighted work; 3. The amount and substantiality of the portion used in relation to the copyrighted work as a whole; and 4. The derivative work’s effect upon the market for the original. These factors are all conjunctive, they must ALL be met in order to have a valid claim of copyright infringement.

To break this down a bit: "Purpose and character of the derivative work" largely means how much the new work is transformative, how much it's differentiated from the original. Now, the original Love Sick trailer is incredibly similar to Yandere Simulator, the main character looks very similar, the school seems very similar, the overall art style is very very similar to Yandere Simulator. Later uploads related to Love Sick, when it turned over and became Love Letter, however, do not share much in common with Yandere Simulator beyond a concept and general art style, neither of which are actually copyrightable.

The second point, the "nature of the copyrighted work" deals with what, exactly, is being infringed on. Some works are more liable to copyright than others- a fictional story is more susceptible to infringement than a factual one, for example. This factor is not really very important. All it does is point to how much we can consider the previous work to be a source the new work copied

I am a copyright lawyer practicing in the United States and posting under a throwaway.

In my opinion, no legal doctrine is more misunderstood than fair use. Here are just a few commonly believed myths about fair use:

1. There is such a thing as "obvious" fair use
2. Related to the above, there is some sort of magic formula for determining whether a particular use is fair (e.g. "it's only 30 seconds long, it must be fair use) fair use of another's copyrighted work(s)
3. Providing a "fair use disclaimer" or otherwise stating that use of another's content is for educational, criticism, or news reporting purposes has any bearing whatsoever on whether a use actually is fair under the law.
4. Fair use is a privilege or even a right of would-be infringers.

I can expound on the first three if anyone is interested (in a nutshell: there is no such thing as slam dunk fair use. Fair use as a concept is incredibly nuanced and complex and requires case by case analysis of four factors which are weighed with and against each other) but this post is about the fourth "myth".

The notion that fair use is a privilege or a right is fundamentally and unequivocally untrue under American copyright law. It's certainly not a right, nor is it even a privilege. It's only a defense to a claim of copyright infringement.

Moreover, it's not just only a defense, it's actually an affirmative defense (see U.S. Supreme Court case Campbell v. Acuff-Rose Music, Inc. 510 U.S. 569 (1994)) For those unfamiliar, unlike regular defenses which must be disproved as false by plaintiffs in civil court actions, affirmative defenses must be raised and proven as true by the defendants.

Why is this important? Well, I would caution anyone who is thinking of making unauthorized use of another's copyrighted work assuming that he/she can rely on a believed right to a believed obvious fair use. You can't.

Let's say, for example, you want to post to YouTube a 30-second clip from a half-hour long episode of your favorite TV show, "Reddit: The TV Show", copyright in which is owned by Reddit Inc.

That act is copyright infringement. (Specifically, it infringes Reddit Inc.'s reproduction and distribution rights under Section 106 of the Copyright Act.):

• It's copyright infringement if and when Reddit Inc. submits a DMCA takedown notice to YouTube to get your video removed.
• It's copyright infringement if and when you submit a counter-notice to YouTube based on your sworn statement which you are

You can either sit there and twiddle your green bean, or can you gawk at this epic set of DDs (delicately laced with euphemisms).

Why do squats in the cucumber patch when you can just buy BGS?

TLDR:

• Much more than a boomer value stock.
• Solid fundamentals, but who gives a shit. Has nice DDs.
• New Big Dick CEO starts today. He's literally led a company to Mars. Before that he was the overlord of tendies dipping sauces at Heinz.
• Priced at a discount to its peers, with significant Q2 and Q3 upside potential.
• Passes the SMELL test: 2nd highest SI of dividend stocks (BBBY is #1), low liquidity, low IV.
• It cums with the meme stocks. Basically like BBBY but IV = 40% instead of 110%.
• Sloppy seconds short squeeze potential: 1) growth-to-value rotation or 2) meme stocks squeeze again.
• Runs a brothel: Green Giant, Skinny Girl, Mama Mary's, Crisco, Cream of Wheat, etc.
• This is not financial advice and don't buy shit if the IV is through the roof.

Preface

This post comes to you after after discovering the SMELL test which lead to WWE opening her legs at +10%, climaxing at +25%, and cuddling to +11% at close. All this on a day with zero news, except my one moderately successful WSB post.

WWE's IV of 35% implied a 2.2% stddev in daily price change... so an 11% close represents a 5 sigma event. My take is that WWE got pregnant after getting fucked by WSB wearing five condoms. I think MMs got defensive by pumping up the ask and IVs during PM, possibly due to seeing sentiment pop. (Unfortunately, it didn't take WWE long to start showing pregnancy sickness -- she regurgitated some gains in the last couple of days.)

WWE definitely came, and so did I. My FDs were up 2500%, and Jan LEAPs up 250%. However, in an act of sheer horniness after spending all day furiously writing the DD, I had posted it after close. So only those able to get in at open were able to appreciate the climax. I'm not making that mistake this time.

My point is: if you're looking for a broad

• If you find your book in the thread below, send the number of the book via reddit chat or via telegram .
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23269. (eBook PDF)Schrodingers Mechanics Interpretation by David B Cook

23270. (eBook PDF)Developmental State and Millennium Development Goals by Kartik Roy , Sandip Kar

23271. (eBook PDF)Lecture Notes In Public Budgeting And Financial Management by William Duncombe

23272. (eBook PDF)The Multi-Level Perspectives of Agribusiness by Walter Amedzro St-Hilaire

23273. (eBook PDF)Public-private Relationships In Trade Policy-making by Hyun-jung Je

23274. (eBook PDF)Health Care Management and the Law: Principles and Applications 2nd Edition by Donna K. Hammaker , Thomas M. Knadig

23275. (eBook PDF)Bayesian Networks In Fault Diagnosis Practice And Application by Baoping Cai , Yonghong Liu , Jinqiu Hu

23276. (eBook PDF)Introduction To Solid State Physics by Amnon Aharony , Ora Entin-Wohlman

23277. (eBook PDF)Interactions In Multiagent Systems by Jianye Hao , Ho-Fung Leung

23278. (eBook PDF)Silver Recovery From Assorted Spent Sources Toxicology Of Silver by Syed Sabir

23279. (eBook PDF)New Humanism And Global Governance by Lijun Yang , Wei Shan

23280. (eBook PDF) by Bartosz Chmielowski M.D. Ph.D , Mary Territo

23281. (eBook PDF)Health Communication: Strategies and Skills for a New Era by Claudia Parvanta , Sarah Bass

23282. (eBook PDF)The Optic Nerve Evaluation in Glaucoma by Austin Lifferth

23283. (eBook PDF)Thinking Developmentally: Nurturing Wellness in Childhood to Promote Lifelong Health by Andrew Garner , Robert A Saul

23284. (eBook PDF)Achieving a Healthy Weight for Your Child: An Action Plan for Families by Sandra G. Hassink

23285. (eBook PDF)Cucurbiturils Chemistry, Supramolecular Chemistry And Application by Kimoon Kim , James Murray , Narayanan Selvapalam , Young Ho Ko , Ilha Hwang

23286. (eBook PDF)Disrupted Balance: Society At Risk by Jan Wouter Vasbinder

23287. (eBook PDF)Health Disparities, Diversity, and Inclusion: Context, Controversies, and Solutions by Patti R. Rose

23288. (eBook PDF)Evolutionary Biology: A Plant Perspective by

This list was made by Dave Whitaker at Davesmusicdatabase, a great site for music lists. Here are the top 100 country songs of all-time, based on combining over 60 lists of the best country songs.

Here is the list as it appears on his website.

100: Deanna Carter - Strawberry Wine (1996)

99: Alan Jackson - Chattahoochee (1992)

98: Osborne Brothers - Rocky Top (1968)

97: Hank Williams - Cold, Cold Heart (1951)

96: Willie Nelson - On the Road Again (1980)

95: Brooks & Dunn - Boot Scootin’ Boogie (1991)

94: Buck Owens - I’ve Got a Tiger by the Tail (1965)

93: Patsy Cline - Walkin’ After Midnight (1957)

92: Billy Ray Cyrus - Achy Breaky Heart (1992)

91: Lester Flatt & Earl Scruggs - Foggy Mountain Breakdown (1950)

90: Jimmie Rodgers - Blue Yodel #1 (T for Texas) (1928)

89: Bob Wills & His Texas Playboys - San Antonio Rose (1939)

88: Hank Williams - Jambalaya on the Bayou (1952)

87: Taylor Swift - Love Story (2008)

86: Alan Jackson - Don’t Rock the Jukebox (1991)

85: Lefty Frizzell - Long Black Veil (1959)

84: The Statler Brothers - Flowers on the Wall (1965)

83: Jack Greene - There Goes My Everything (1966)

82: Freddy Fender - Before the Next Teardrop Falls (1975)

81: Johnny Paycheck - Take This Job and Shove It (1977)

80: Jimmie Davis - You Are My Sunshine (1940)

79: Sugarland - Stay (2007)

78: Bob Wills & His Texas Playboys - Faded Love (1950)

77: Dixie Chicks - Wide Open Spaces (1998)

76: Glen Campbell - Wichita Lineman (1968)

75: Johnny Cash - Hurt (2002)

74: Kenny Rogers & Dolly Parton - Islands in the Stream (1983)

73: Reba McEntire - Fancy (1991)

72: LeAnn Rimes - Blue (1996)

71: Crystal Gayle - Don’t It Make My Brown Eyes Blue (1977)

70: Don Gibson - Oh Lonesome Me (1970)

69: Patti Page - Tennessee Waltz (1950)

68: Hank Snow - I’m Moving On (1950)

67: Shania Twain - You’re Still the One (1998)

66: John Denver - Take Me Home Country Roads (1971)

65: Bill Monroe - Blue Moon of Kentucky (1947)

64: Florida Georgia Line w/ Nelly - Cruise (2012)

63: The Oak Ridge Boys - Elvira (1981)

62: Patsy Cline - Sweet Dreams of You (1963)

61: Lynn Anderson - I Never Promised You a Rose Garden (1970)

60: The Carter Family - Wildwood Flower (1928)

59: Ronnie Milsap - Smokey Mountain Rain (1980)

58: Sons of the Pioneers - Tumbling Tumbleweeds (1934)

57: Lee

• If you find your book in the thread below, send the number of the book via reddit chat or via telegram .
• Almost all the books are in their latest editions and some of them are available in multiple editions too
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2749. Real-Life BPMN, 3rd Edition: Jakob Freund & Bernd Rücker

2750. Reading the World: Ideas That Matter, 3rd Edition: Michael Austin

2751. Quantitative Methods for Business, 13th Edition: David R. Anderson & Dennis J. Sweeney& Thomas A. Williams& Jeffrey D. Camm & James J. Cochran

2752. Qualitative Research & Evaluation Methods, 4th Edition: Michael Quinn Patton

2753. Public Policymaking, 8th Edition: James E. Anderson

2754. Psychology: The Briefer Course: William James

2755. Professional Nursing: Concepts & Challenges, 8th Edition: Beth Black

2756. Prioritization, Delegation, and Assignment, 4th Edition: Linda A. LaCharity & Candice K. Kumagai

2757. Persuasion : Social Influence And Compliance Gaining, 5Th Edition: Robert H. Gass & John S. Seiter

2758. Our Origins: Discovering Physical Anthropology, 4th Edition: Clark Spencer Larsen

2759. Once Upon a Time: A Short History of Fairy Tale, 1st Eition: Marina Warner

2760. NYSTCE EAS Educating All Students Test (201) Secrets Study Guide: NYSTCE Exam Secrets Test Prep Team

2761. Nutrition for Healthy Living Updated with 2015-2020 Dietary Guidelines for Americans, 4th Edition: Wendy Schiff

2762. Nurse's Pocket Guide: Diagnoses, Prioritized Interventions and Rationales, 14th Edition: Marilynn E. Doenges & Mary Frances Moorhouse& Alice C. Murr

2763. Natural Hazards: Earth's Processes as Hazards, Disasters, and Catastrophes, 4th Edition: Edward A. Keller & Duane E. DeVecchio

2764. Mosby's Exam Review for Computed Tomography, 2nd Edition: Daniel N. DeMaio

2765. Mosby's Diagnostic and Laboratory Test Reference, 13th Edition: Kathleen Deska Pagana & Timothy J. Pagana & Theresa N Pagana

2766. Microbiology: A Systems Approach, 5th Edition: Marjorie Kelly Cowan

2767. Media, Crime, and Criminal Justice, 5th Edition: Ray Surette

2768. MCSA Guide to Installation, Storage, and Compute with Microsoft Windows Server2016, Exam 70-740, 1st Edition:

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Please find the list below

2097. Understanding Human Sexuality, 11th Edition:Janet Shibley Hyde & John D. DeLamater

2098. Strategic Management: Concepts and Cases,1st Edition: Jeffrey H. Dyer & Paul Godfrey & Robert Jensen & David Bryce

2099. New Perspectives on Computer Concepts 2018: Introductory, 20th Edition:June Jamrich Parsons

2100. The Everyday Writer with 2016 MLA Update, 6th Edition:Andrea A. Lunsford

2101. Shelly Cashman Series Microsoft Office 365 & Word 2016: Intermediate, 1st Edition:Misty E. Vermaat

2102. Writing about Writing: A College Reader, 3rd Edition:Elizabeth Wardle

2103. March's Advanced Organic Chemistry: Reactions, Mechanisms and Structure, 7th Edition:Michael B. Smith

2104. Contemporary Sport Management, 5th Edition: Paul M. Pedersen &. Lucie Thibault

2105. Database Concepts (7th Edition): David M. Kroenke & David J. Auer

2106. Global Shift: Mapping the Changing Contours of the World Economy, 7th Edition:Peter Dicken

2107. Gould's Pathophysiology for the Health Professions, 5th Edition: Karin VanMeter & Robert Hubert

2108. Global Business, 4th Edition:Mike W. Peng

2109. Introduction to Criminal Justice: Systems, Diversity, and Change, 2nd Edition: Callie Marie Rennison & Mary J. Dodge

2110. Essentials of Ecology, 4th Edition: Michael Begon & Robert W. Howarth & Colin R. Townsend

2111. Operations and Supply Chain Management, 9th Edition: Roberta S. Russell & Bernard W. Taylor

2112. Digital Design and Computer Architecture, 2nd Edition: David Harris & Sarah Harris

2113. Manufacturing Engineering and Technology, 7th Edition: Serope Kalpakjian & Stephen R. Schmid

2114. Managing Business Ethics: Straight Talk about How to Do It Right, 7th Edition: Linda K. Trevino & Katherine A. Nelson

2115. International Project Management, 1st Edition:Kathrin Koster

2116. Organizational Behavior, 1st Edition: Afsaneh Nahavandi & Robert B. Denhardt & Janet V. Denhardt & Maria P.

211

It is absolutely legal to capture and display screenshots of web pages.

The law that covers this usage is the "Fair Use" clause of the Copyright Act of 1976, 17 U.S.C. § 107 ("Limitations on exclusive rights: Fair use"), which protects "public domain" data.

Under § 107, the fair use of a copyrighted work is not a copyright infringement, even if such use technically violates § 106 ("Exclusive rights in copyrighted works") and § 106A ("Rights of certain authors to attribution and integrity"). While fair use explicitly applies to use of copyrighted work for criticism, news reporting, teaching, scholarship, or research purposes, the defense is not limited to these areas.

One caveat, explored in a prior legal battle, "Perfect 10 vs Google and Amazon" case (2006), was whether or not the Copyright Act protects screenshots of copyrighted images. The verdict was that the screenshots are allowed because the copyrighted images were posted publicly on the Internet, e.g. public domain. Court ruled that Google transformed the images from a use of entertainment and artistic expression to one of retrieving information, citing the similar case, "Kelly v. Arriba Soft" (2003).

There were also similar verdicts about "fair use" of some types of music videos and Youtube. In "Lenz vs UMC" case (2008) the court ruled that copyright holders cannot send order a deletion of an online content (UMC's takedown notices on Youtube) without determining whether that content reflected "fair use". And a number of appellate decisions also have recognized that a parody is a fair use regardless of the copyright holder's permission (including its commercial use and parody of copyrighted songs).

ShrinkTheWeb supports $_GET variables, because these are used for properly coded URLs, and it is against "best practices" to allow login via $_GET variables. However, it is not recommended to pass credentials via $_GET in order to capture screenshots (where possible), unless you have full control over the content therein.

The reason that users ask for this $_POST support is to capture what a "logged in" user would see versus a "logged out" visitor. In other words, the intention is to capture a screenshot that is "behind" the login. Supporting $_POST variables would allow login to websites, via proper credentials (this would be nice to capture specific Google+ or Facebook pages, etc.), but could lead to potentially copyrighted materials being captured which **do

It looks like Dunder and Dudley are about to drop some major spoilers on us. While the supreme court upheld that parody is considered fair use in (Campbell v. Acuff-Rose)[http://en.m.wikipedia.org/wiki/Campbell_v._Acuff-Rose_Music,_Inc.] I thing grrm should stop sampling chapters because it allows HBShow to detract further from the broader artistic work in progress. Ever since GRRM fired DJ Eddard things have been going downhill.

TL;DR: D&D need to quit stealing GRRM's work.

• If you find your book in the thread below, send the number of the book via reddit chat or via telegram .
• Almost all the books are in their latest editions and some of them are available in multiple editions too
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386. Investments, 8th Canadian Edition: Bodie & Kane et al

387. Calculus: An Applied Approach, Brief 10th Edition: Ron Larson

388. Advertising and Promotion: An Integrated Marketing Communications Perspective, 10th Edition: Belch

389. College Physics: Volume 1: Roger A. Freedman & Todd Ruskell & Philip R. Kesten

390. Pharmacology and the Nursing Process, 8th Edition: Linda Lane Lilley & Shelly Rainforth Collins & Julie S. Snyder

391. Cambridge IGCSE Chemistry Study and Revision Guide (Igcse Study Guides), 2nd Edition: David Besser

392. GCSE Physical Education Revision Guide (A*-G course): CGP Books

393. GCSE History Modern World History The Revision Guide (A*-G course): CGP Books

394. Social Fairness and Economics: Economic Essays in the Spirit of Duncan Foley: Lance Taylor & Armon Rezai & Thomas Michl

395. Strategies for Successful Writing-Pearson (2016): James A. Reinking, Robert A. von der Osten

396. Strategic Management: Theory: An Integrated Approach, 12th Edition: Charles W. L. Hill & Melissa A. Schilling & Gareth R. Jones

397. Laboratory Manual for Physical Examination & Health Assessment, 7th Edition: Jarvis, Carolyn

398. Principles of Marketing, 17th edition: Philip T. Kotler & Gary Armstrong

399. Global Business Today, 4th Canadian Edition: Charles Hill

400. Study Guide for Medical-Surgical Nursing - E-Book: Assessment and Management of Clinical Problems, 10th Edition: Sharon L. Lewis & Susan A. Sandstrom & Linda Bucher & Margaret M. Heitkemper & Mariann M. Harding & Jeffrey Kwong & Dottie Roberts

401. Physical Examination and Health Assessment, 7th edition: Jarvis, Carolyn

402. Mosby’s Drug Guide for Nursing Students: Linda Skidmore-Roth

403. Understanding Pathophysiology, 6th Edition: Sue E. Huether & Kathryn L. McCance

404. Strategic Management: Theory & Cases: An Integrated Approach, 12th Edition: Charles W. L. Hill & Melissa A. Schilling &am

You can either sit there and twiddle your green bean, or can you gawk at this epic set of DDs (delicately laced with euphemisms).

Why do squats in the cucumber patch when you can just buy BGS?

TLDR:

• Much more than a boomer value stock.
• Solid fundamentals, but who gives a shit. Has nice DDs.
• New Big Dick CEO starts today. He's literally led a company to Mars. Before that he was the overlord of tendies dipping sauces at Heinz.
• Priced at a discount to its peers, with significant Q2 and Q3 upside potential.
• Passes the SMELL test: 2nd highest SI of dividend stocks (BBBY is #1), low liquidity, low IV.
• It cums with the meme stocks. Basically like BBBY but IV = 40% instead of 110%.
• Sloppy seconds short squeeze potential: 1) growth-to-value rotation or 2) meme stocks squeeze again.
• Runs a brothel: Green Giant, Skinny Girl, Mama Mary's, Crisco, Cream of Wheat, etc.
• This is not financial advice and don't buy shit if the IV is through the roof.

Preface

This post comes to you after after discovering the SMELL test which lead to WWE opening her legs at +10%, climaxing at +25%, and cuddling to +11% at close. All this on a day with zero news, except my one moderately successful WSB post.

WWE's IV of 35% implied a 2.2% stddev in daily price change... so an 11% close represents a 5 sigma event. My take is that WWE got pregnant after getting fucked by WSB wearing five condoms. I think MMs got defensive by pumping up the ask and IVs during PM, possibly due to seeing sentiment pop. (Unfortunately, it didn't take WWE long to start showing pregnancy sickness -- she regurgitated some gains in the last couple of days.)

WWE definitely came, and so did I. My FDs were up 2500%, and Jan LEAPs up 250%. However, in an act of sheer horniness after spending all day furiously writing the DD, I had posted it after close. So only those able to get in at open were able to appreciate the climax. I'm not making that mistake this time.

My point is: if you're looking for a broa

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4171. Magic of the Northgate: Josephine McCarthy

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