A list of puns related to "Billy Sherwood"
This single dropped on YouTube about a week ago, hasn't gotten much attention. I hope this sort of thing is OK to post here.
Onward Love by exo-x-xeno
https://www.youtube.com/watch?v=DwSULWzzrN0
Hey everyone,
I was wondering if Yes has any covers of other songs out there? I did a quick youtube search and couldn't find anything.
Please post here if you've got them.
Thank You
Hi - to keep this brief, I usually upload the old Production Notes from Doctor Who Magazine but there was a comment on the subreddit recently asking if the below interview from DWM in lockdown time last year - where RTD and Moffat interview each other - has been uploaded or transcribed anywhere.
It turned out that it hadn't so as a one off (and it's very likely going to be a one off, I should make that clear), by special request (and considering it contained potentially relevant information, given that RTD was announced to be coming back), I volunteered to do it. Hope you enjoy!
Also, the latest edition of Doctor Who Magazine is on sale now, previewing the final episodes of Series 13. Old Production Notes posting will resume shortly.
Extraordinary times call for an extraordinary feature. Former showrunners Russell T Davies and Steven Moffat have been interviewed many times... but never by each other. Russell was enthused by our idea, so sent Steven an email. Then Steven sent one back. "We answered each other's questions," says Russell. "And now and then it got a bit conversation-y..."
STEVEN: After you were offered the job of showrunner, I know you took a while to say yes (as I did). What was the point when you knew you were going to do it? Not necessarily when you admitted that to the Beeb or whatever - just when you knew. You career was stellar, Doctor Who was not a respected brand - what was the OH I JUST HAVE TO like?
RUSSELL: It was Julie. When Julie Gardner was made Head of Drama at BBC Wales. Before that, I'd had very strong doubts. It's hard to understand from outside the industry, but for a freelancer to go from the independent sector to in-house BBC is unheard of. And let's be honest, for very successful freelancers, like you, me and Chris Chibnall... never! I've been trying to think of another show where that happens. It's just not done. It means ceding control and authorship and copyright to a higher power. It's a career in reverse. And I had massive doubts about working within the BBC, because everyone said it was full of censorship, restrictions and red tape. But then I was on holiday in France in 2003, and Julie phoned me up to say she'd got the BBC Wales job. She told me: "Jane Tranter [Controller of Drama Commissioning] said I could have Doctor Who and we'd make it in Wales." And that was it. Click. I'm in. Away from London, with Julie. Perfect. I knew she could handle the BBC side of it. And I was right - w
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| Day | Title | Series, Book # | Author(s) | Narrator(s) |
|---|---|---|---|---|
| 11th | A Warrior's Burden | Saga of the Known Lands 1 | Jacob Peppers | Ben Farrow |
| Admiral's Oath | The Dakotan Confederacy 1 | Glynn Stewart | Eric Michael Summerer | |
| Dark Origins | The Messenger 14 | J.N. Chaney, Terry Maggert | Jeffrey Kafer | |
| Murderers Creek | Maggie Blackthorne 2 | LaVonne Griffin-Valade | Allyson Ryan | |
| Reasons for Avoiding Friends | standalone | Megan Leavell | Vanessa Johansson | |
| Saltwater's Weep | Avalar Explored 2 | Deacon Frost | Joshua Story | |
| Second Chance Contract | standalone | M. Robinson | Tor Thom, Meg Sylvan | |
| Silent Fire | Vector 3 | Anthony J. Melchiorri | Peter Berkrot | |
| The Face of the Enemy | Schooled in Magic 23 | Christopher G. Nuttall | Saskia Maarleveld | |
| The Forbidden | The Ancestors Saga 1 | Lori Holmes | Billie Fulford-Brown | |
| 4th | Cyborgs on Mars: The First Collection | Cyborgs on Mars 1, 2, 3 | Honey Phillips | Eve Leonard, Rock Engle, Brooke Hayden, Ryan West, Mackenzie Cartwright, Aiden Snow |
| Dragontiarna: Storms & Warden, Publisher's Pack 5 | Dragontiarna 9, 10 | Jonathan Moeller | Steven Brand | |
| Exhulm | Celestial Chronicles 1 | Xander Jade | Gabriel Michael, Katana Jones | |
| Exile | The Last Roman 1 | B.K. Greenwood | Peter Noble | |
| The Danger Within | An Avner Ehrlich Thriller 1 | E.L. Pini | Corey M. Snow | |
| The Shake-Up | standalone | Lauren Campbe |
Something I've noticed about Open Your Eyes is that it peaks at the beginning, but takes a nosedive right after the second track. It sort of stays mediocre through the whole album, with a few blips of good music here and there, before finally recovering with the last two songs. Those four songs I've just mentioned are by far my favorites out of the eleven tracks on the album, but it's a shame that the album is paced like it is - especially since there are some very good songs on its sister album Conspiracy that shed a peek into what OYE could have been.
Out of the four tracks that I’ve mentioned, the one that seems to arouse the most conversations in my Yes friend groups is the album’s rather odd closer, The Solution. Now, I’m not trying to imply that the song is bad or anything, because it isn’t. It quite a good song - especially in comparison to a lot of the others on Open Your Eyes, The Solution is a bit of a standout. But in terms of Yes closers… that’s a bit of a hard one.
At the very least, the opening to the song certainly fits the bill of “epic closer” - it sounds absolutely grand, like the gates to a giant temple opening up. It’s all bombastic, but in a much different way than other Yes closers are bombastic.
But this eventually gives way to a softer verse, sung solemnly by Jon. Unlike the previously mentioned Universal Garden, which used different dynamics in a less-than-cohesive way, this song does it very effectively. The two sections of the song contrast each other pretty well - what with Billy’s echoing piano and Jon’s softer voice during the verse, and the other singers backing him during the chorus with Steve’s guitar right behind. This more powerful feeling carries over into the next verse, which I have to say is a nice touch.
Let’s talk about that guitar, by the way. Open Your Eyes was the first Yes album to have two guitarists: the returning Steve Howe doing leads, and the semi-newcomer Billy Sherwood on rhythm, who also does keyboard duties. The reason for this is pretty clear for those familiar with the album - it started as a collaboration between Chris Squire and Billy Sherwood, which evolved into a Yes album due to pressure from their label. This led to the album being a bit rushed, and thus Steve wasn’t able to do as much as he may have wanted. Now, this does show a bit in the album - Steve’s solos are a bit less polished than they would
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https://cleorecs.com/store/shop/animals-reimagined-a-tribute-to-pink-floyd-cd/
Just released is this new Cleopatra Records tribute album, re-imagining Pink Floyd's Animals, and with lots of Yesmen guesting.
Also on Spotify etc.
Do your worst!
I don't want to step on anybody's toes here, but the amount of non-dad jokes here in this subreddit really annoys me. First of all, dad jokes CAN be NSFW, it clearly says so in the sub rules. Secondly, it doesn't automatically make it a dad joke if it's from a conversation between you and your child. Most importantly, the jokes that your CHILDREN tell YOU are not dad jokes. The point of a dad joke is that it's so cheesy only a dad who's trying to be funny would make such a joke. That's it. They are stupid plays on words, lame puns and so on. There has to be a clever pun or wordplay for it to be considered a dad joke.
Again, to all the fellow dads, I apologise if I'm sounding too harsh. But I just needed to get it off my chest.
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